Author Dirk de Bruyn

Dirk de Bruyn has been practicing, writing and curating in the area of experimental film and animation for over 35 years. He is currently teaching Animation and Digital Culture at Deakin University in Melbourne...

Five days before I got on a plane to SXSW, the world turned. All international travel was cancelled by my institution. A hammer blow. It took time to emotionally process this lost opportunity. There was no Covi...

Ann Arbor Film Festival is the longest running avant-garde and experimental film festival in North America. 1963 was its foundation year. This year would bring 40 programs, and 180 films selected from 3,500 sub...

The 9th Under the Radar animation film festival took place in the MuseumsQuartier, the Blickle Kino and the Filmhaus Kino in Vienna from 1-5 July. The event has a conference component which enables an in-depth ...

I am talking with Turkish filmmaker and video artist Köken Ergun at the International Film Festival Rotterdam about a documentary that all Australian and New Zealand audiences should see. Şehitler (Heroes), com...

The 48th edition of the International Film Festival of Rotterdam was IFFR director Bero Beyer’s fourth iteration. The four program groupings that he instigated in his inaugural year remain in place with special...

This is an abridged version of a longer article. Alice (1987 Switzerland/Czechoslovakia 86 mins) Source: ACMI/NLA Prod Co: Condor Features/Film Four International/Hessischer Rundfunk Prod: Peter-Christian F...

This essay examines Neil Taylor's animations, situated between the moving image, performance and sculpture and in the shadows of his recognised wire-based sculptural practice. Taylor's animations automatically ...

I like boring things. When you sit and look out of a window, that’s enjoyable. It takes up time. Yeah. Really, you see people looking out of their window all the time. I do. If you’re not looking out of a windo...

Animafest’s 24th iteration in Zagreb, Croatia brought two innovations. The Animafest Scanner Symposium and the third outdoor screening at the Zagreb Museum of Contemporary Art (MSU), both noted by Daniel Šuljić...

This second visit to Belgrade, Serbia’s Alternativa Film/Video festival opened up a response to the parallel film histories encountered at last year’s attendance (documented in Senses of Cinema here) through Lj...

Have no respect, it’s only film. – Vassily Bourikas The Alternative Film/Video Festival in Belgrade has historically been one of a triumvirate of critical festivals, with Pula’sMAFAF (1965-1990) and Zagreb’s ...