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    • Countering Dominant Cinema: Temporality in Meek’s Cutoff

      George Clark
      October 2020
      Feature Articles
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    • “A long time ago….”: The Persistence and Longevity of ‘Star Wars’ at 45

      Tara Lomax
      October 2022
    • The Larrikin Girl: Challenging archetypes in Australian cinema

      Mark Freeman & Eloise Ross
      October 2022
    • Unrealisable woman: Tania in Stanley Kubrick’s Aryan Papers

      Joy McEntee
      October 2022
    • Anatomy of a Breakup or Her Life to Fix: The Worst Person in the World

      Salvador Carrasco
      October 2022
    • Respecting the Lives of Others: Bergman Island, Hommage and Anaïs in Love

      Anthony McKibbin
      August 2022
    • More than a Wink: The Nature of Reality in Blow-Up and Las Babas del Diablo

      Will Hair
      July 2022
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      George Clark
      May 2022
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      Andrew Northrop
      October 2022
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      Maria Giovanna Vagenas
      October 2022
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      Maja Korbecka
      July 2022
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      Maria Giovanna Vagenas
      July 2022
    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022
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      Silvia Spitta & Gerd Gemünden
      May 2022
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      George Clark
      December 2003
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      Jeremy Carr
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Darragh O’Donoghue
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      Jeremy Carr
      January 2022
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      George Clark
      May 2022
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      Jacob Agius
      October 2022
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      Joy McEntee
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      Jeremy Carr
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      Mark Lager
      May 2022
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      Jessica Balanzategui
      January 2022
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      CineSuspense: Le Giornate del Cinema Muto: The 26th Pordenone Silent Film Festival

      George Clark
      March 2008
      Festival Reports
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    • Skies Over and Caves Under Kutaisi: Kutaisi International Short Film Festival

      Levan Tskhovrebadze
      October 2022
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      Nolan Kelly
      October 2022
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      Andrew Northrop
      October 2022
    • Setting the World Ablaze: Notes from the 30th Curtas Vila do Conde International Film Festival

      Susana Bessa
      October 2022
    • The 75th Locarno Film Festival: Happy Birthday and Many Happy Returns

      Jaimey Fisher
      October 2022
    • (Fist) Bump in the Night at Fantasia 2022

      Jake Pitre
      October 2022
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    • Returning to the Movie Theatre: Roland Barthes’ Cinema by Philip Watts and La nuit sera noire et blanche by Jean Narboni

      George Clark
      March 2016
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    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
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    • Love and Suffocation in Man Is Not a Bird (Dušan Makavejev, 1965)

      George Clark
      October 2018
      CTEQ Annotations on Film
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    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022
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Author George Clark

George Clark

George Clark is a writer, curator and artist. He currently works on touring programs of artists’ film and video at the Independent Cinema Office.

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Cinema and Beyond: The 53rd International Short Film Festival Oberhausen

George Clark
November 2007
Festival Reports
3-8 May 2007 The International Short Film Festival Oberhausen is the longest running short film festival in the world. The festival, now in its 53rd year, can be characterised by its constant questioning...
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Hell, Purgatory and Heaven: Surviving the 48th London Film Festival

George Clark
February 2005
Festival Reports
October 20–November 4, 2004 Subtitles allow viewers to believe that they are in some way in their own country. But for this film it's annoying because the viewer who reads subtitles is not listening to th...
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Aspects of Change: The 58th Edinburgh International Film Festival

George Clark
October 2004
Festival Reports
All film festivals are somewhat outside of culture. They operate to test films on a prospective market, to showcase films from underexposed countries, to celebrate the art form. The concept of a cultural sh...
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World and Experimental Cinema at the 47th London Film Festival

George Clark
February 2004
Festival Reports
22 October - 6 November The 47th London Film Festival came on strong this year. It commenced two weeks earlier than in previous years. Now it runs parallel with the London- based independent film festiva...
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The Establishment of Form – A Report on the 57th Edinburgh International Film Festival

George Clark
October 2003
Festival Reports
Now in its 57th year, the Edinburgh International Film Festival (EIFF) is the longest running film festival in the UK. It occupies a firm place amongst the plethora of events that hit Edinburgh each summer,...
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Arnold, Brehm, Deutsch and Tscherkassky: Four Contemporary Austrian Avant-garde Filmmakers

George Clark
October 2003
Peter Tscherkassky & the Austrian Avant-Garde
Analysing in turn the aesthetics, thematics and politics of each of these filmmakers' work, Clark presents a comprehensive view of contemporary Austrian avant-garde cinema.
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Perspectives on the Ethereal: The 46th London Film Festival

George Clark
January 2003
Festival Reports
(6 - 21, November 2002) The London Film Festival has taken place at the National Film Theatre on the South Bank, a hub for current redevelopment, for the last 46 years. It recently expanded to encompass ...
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An Overview of Shoot Shoot Shoot – The First Decade of the London Film-Makers’ Co-operative and British Avant-Garde Film 1966-1976

George Clark
July 2002
Feature Articles
This pioneering season is currently touring the world, and is hitting Brisbane, Melbourne and Perth throughout July.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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