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      Baise-moi – A Personal Angry-Yet-Feminist Reaction

      Maria Giovanna Vagenas
      October 2002
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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    • The Violence of Privacy: A Conversation with Kazuo Hara

      Maria Giovanna Vagenas
      January 2021
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    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Đăng Tùng Bạch
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
  • Great Directors
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      Maria Giovanna Vagenas
      October 2003
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Maria Giovanna Vagenas
      January 2022
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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    • Sheer Playfulness and Deadly Seriousness: On Watching Avant-Garde Shorts at the 43rd International Film Festival Rotterdam

      Maria Giovanna Vagenas
      March 2014
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
    • What is the honour of cinema? – The 79th Cannes Film Festival

      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
  • Book Reviews
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      A life with no story: Eric Rohmer: A Biography, by Antoine de Baecque and Noël Herpe

      Maria Giovanna Vagenas
      September 2017
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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      The Conscious Collusion of the Stare: The Viewer Implicated in Fassbinder's Fear Eats the Soul

      Maria Giovanna Vagenas
      September 2001
      CTEQ Annotations on Film
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    • Trouble in Paradise: Ikarie XB 1’s Music and Sound

      Austin Lancaster
      October 2026
    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
    • Rabid Dogs

      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
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Author Maria Giovanna Vagenas

Maria Giovanna Vagenas

Maria Giovanna Vagenas is a curator and film critic based in Paris.

The 22nd Marrakech International Film Festival and its Atlas Workshops: A Global Event Shaping the Future of MENA Cinema

Maria Giovanna Vagenas
January 2026
Festival Reports
Arriving in Marrakech at the end of November to attend the Marrakech International Film Festival means being embraced at once by a warm, golden light that bathes the renowned “Red City,” an architectural gem ne...

CPH:DOX 2024: Breaking Out! The Liberating Force Of Documentary

Maria Giovanna Vagenas
May 2024
Festival Reports
Those visiting Copenhagen for the first time to attend CPH:DOX, the country’s leading international documentary film festival, which ran from the 13th to the 24th of March this year, may be looking for its head...

Groundbreaking Cinephilia: A Conversation with Julien Rejl, Artistic Director of the Directors’ Fortnight

Maria Giovanna Vagenas
November 2023
Interviews
With a gaze that radiates a dreamy but determined freshness, the beautiful Leonor Silveira in Manoel de Oliveira's Abraham's Valley (Vale Abraão, 1993) graces the poster of this 55th edition of the Directors’ F...

The Klezmer Project (Adentro Mío Estoy Bailanado): A Conversation with Leandro Koch and Paloma Schachmann

Maria Giovanna Vagenas
August 2023
Interviews
In the maze of a major festival event such as the Berlinale, The Klezmer Project, a debut feature by Argentinian filmmakers Paloma Schachmann and Leandro Koch, which premiered in the Encounters section, emerged...

Here: An Interview with Bas Devos

Maria Giovanna Vagenas
May 2023
Interviews
With Here, his fourth feature film and winner of the Encounters and the Fipresci Award at the 73rd Berlinale, the Belgian director Bas Devos creates a luminous, delicate, and subtle film that inspires awe. Thro...

Afterwater: A Conversation with Dane Komljen

Maria Giovanna Vagenas
March 2023
Interviews
Afterwater, conceived, directed and edited by Dane Komljen, is both as limpid as the water of the lakes that appear in it, and as complex as their, often, unfathomable depths. With an inventive, sensitive appro...

Piaffe: Interview with Ann Oren

Maria Giovanna Vagenas
January 2023
Interviews
Piaffe, Ann Oren's astonishing first feature film presented in competition at Locarno Film Festival 2022, bestows us with that same enchantment that early cinema viewers must have experienced going to the movie...

Love Dog: Conversation with Bianca Lucas

Maria Giovanna Vagenas
October 2022
Interviews
Intimate, sensitive and poetic, Love Dog, Bianca Lucas' surprising first feature film, shot in Natchez, Mississippi, portrays John, a young man mourning the sudden loss of his partner; a personal grief meaningf...

The Plains: Conversation with David Easteal

Maria Giovanna Vagenas
July 2022
Interviews
In The Plains, David Easteal’s astonishing feature debut, we are invited to virtually take a place in the back seat of the car of the protagonist, a middle-aged lawyer named Andrew Rakowski, a real-life person,...

Thessaloniki International Film Festival: Rewriting the Rules of the Game

Maria Giovanna Vagenas
February 2022
Festival Reports
Inventive and sassy – one of the best in a long time – 2021's TIFF poster featuring Mrs. Tependris in her pink overall, kicking off the event with a clapperboard, perfectly evoked the spirit of this 62nd editio...

Towards New Horizons: The 74th Locarno Film Festival

Maria Giovanna Vagenas
October 2021
Festival Reports
This summer the Locarno Film Festival and its Piazza Grande finally got their colours back. The giant screen in the piazza lit up again and the public flocked enthusiastically to its legendary screenings under ...

Rediscovering the Forgotten Gems of a Decade: Austrian Auteurs of the 1970s at the Viennale

Maria Giovanna Vagenas
May 2021
Festival Reports
The 2020 Viennale was an extraordinary and memorable event. Carried by the courage, conviction and tenacity of its director Eva Sangiorgi and her team, the festival was held in cinemas throughout the city of Vi...

Locarno 2020: The Open Doors Experience

Maria Giovanna Vagenas
October 2020
Festival Reports
Because of COVID-19, the structure of the 74th Locarno Film Festival was rethought. Under the motto “For the future of films” and opting for a hybrid form, Lily Hinstin and her team proposed a limited number of...

Back to Basics: The New Spirit of Cinéma du Réel

Maria Giovanna Vagenas
July 2019
Festival Reports
In Paris, during the grey and wintry month of March, dazzling colours and geometric patterns on the famous glass and steel façade of the Centre Pompidou announced the Vasarely exhibition on the building’s top f...

The Frame as a Border: Defining Cinema’s Political Territories at the 56th Viennale

Maria Giovanna Vagenas
December 2018
Festival Reports
In mid-October, slender, elegant pink flamingos appeared on the walls of buildings in the monumental and austere centre of the Austrian capital, announcing the imminent opening of one of the city's most importa...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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