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      the editors
      July 2014
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      David Grundy
      July 2021

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      Peter Verstraten
      July 2021

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      Raphaël Bassan, Théo Deliyannis and Viviane Vagh
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      Cam Scott
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      July 2021

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      Steffanie Ling
      July 2021

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      Marc Raymond
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      Steven Shaviro
      July 2021

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      Adrian Schober
      July 2021

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      Megan Carrigy
      July 2021

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      Joy McEntee
      May 2021

    • The Politics of Ambiguity: After Authority: Global Art Cinema and Political Transition, by Kalling Heck

      Jennifer Ruth
      May 2021

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      Holly Willis
      January 2021
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      The Tailor, the Filmmaker and the Cop: A Moment of Innocence

      the editors
      July 2002
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    • The Strange Beast: Tropical Malady (Apichatpong Weerasethakul, 2004)

      Donovan Renn
      June 2021

    • Anthems and Illusions: On a Few Shorts By Apichatpong Weerasethakul

      Brian Darr
      June 2021

    • His Particle, Somewhere: Mekong Hotel (Apichatpong Weerasethakul, 2012)

      Duncan Caillard
      June 2021

    • Blissfully Yours (Apichatpong Weerasethakul, 2002)

      Thomas Moran
      June 2021

    • Worldly Desires (Apichatpong Weerasethakul, 2005)

      Darragh O’Donoghue
      June 2021

    • Not so unknown after all: Jean Cocteau: Autoportrait d’un inconnu (Autobiography of an Unknown) (Edgardo Cozarinsky, 1983)

      Jytte Holmqvist
      June 2021
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INTRODUCTION

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Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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César Albarrán-Torres • Amanda Barbour • Michelle Carey • Daniel Fairfax • Fiona Villella

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