Coming of age does not happen overnight: IndieLisboa turns 23 Susana Bessa July 2026 Festival Reports First feral, then domestic, at last foreign. – Raquel Nobre Guerra Growing up happens over time and never stops. At least, that’s what most of us want to believe. It’s a curious thing to think of film fes...
“I love how a river has the power to resurface different stories”: An interview with Jaume Claret Muxart Susana Bessa January 2026 Interviews The river as a mode of expression and perception has long been a source of inspiration for many filmmakers. From Jean Renoir to Ritwik Ghatak, Christian Petzold to Jia Zhangke, going upstream has meant giving a...
Building a Home: Sofia Bohdanowicz’s openness to an inquisitive world Susana Bessa July 2025 Feature Articles It is mesmerizing to watch someone so absorbed in their work. (…) Her hands seem almost transparent as she touches the letters, moves them across the screen. All that evidence, turning realer and more dreamli...
“I like characters who can’t express themselves sometimes”: An Interview with Kazik Radwanski Susana Bessa May 2024 Interviews Matt and Mara (2024) was my first and last screening at this year’s Berlinale. I can’t remember the last time I saw the same film twice at a film festival. Very little could have prepared me for the beautifully...
A place to live in: An Interview with Leonor Teles Susana Bessa January 2024 Interviews Leonor Teles’s mirror-surfaced, headily constructed Baan opens at a moment of contemplation. Against the backdrop of a lilac-infused blue cityscape of the King Power MahaNakhon, the legendary Bangkok skyscraper...
Setting the World Ablaze: Notes from the 30th Curtas Vila do Conde International Film Festival Susana Bessa October 2022 Festival Reports Skimming through my many scribbles in a desired attempt to describe what Curtas Vila do Conde means 30 years into its instalment in Portugal’s now ever-growing film festival scene, the word I found I wrote down...