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      Murmurs from a Shadowless Land: Fragmentary Reflections on the Cinema of Werner Herzog

      Susana Bessa
      July 2001
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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    • Surviving You, Always: An Interview with Director Morgan Quaintance

      Susana Bessa
      May 2021
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    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
    • Interview with Pierre le Gall

      Gary M. Kramer
      July 2026
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      Susana Bessa
      March 2012
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Susana Bessa
      May 2022
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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    • Unlikely Heroes: The 31st Sundance Film Festival and the 20th Pan African Film and Arts Festival

      Susana Bessa
      March 2012
      Festival Reports
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
    • What is the honour of cinema? – The 79th Cannes Film Festival

      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
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      Pride and Panic: Russian Imagination of the West in Post-Soviet Film by Yana Hashamova

      Susana Bessa
      May 2008
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    • Feeling the Screen Story’s Pulse: Karen Peralman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Susana Bessa
      October 2019
      CTEQ Annotations on Film
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      Gregory Bennett
      August 2026
    • Porno, Disco, and Summer of Sam: Spike Lee on Sexuality

      Desirae Embree
      July 2026
    • 4 Little Girls

      Darragh O’Donoghue
      July 2026
    • A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

      Sandra E. Lim
      July 2026
    • 25th Hour

      Michael Green
      July 2026
    • School Daze-d and Confused

      Sebastian Carrasco
      July 2026
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Author Susana Bessa

Susana Bessa

Susana Bessa is a Portuguese film critic and journalist, with a master’s degree in Film and Screen Studies from Goldsmiths College. An alumna of Berlinale Talents, she has written for MUBI, Público, Cinea, The Rumpus, among others. More recently, she became a collaborator for À Pala de Walsh, where she enjoys delving into rare films and all those in need of an urgent comeback. She has a particular predilection for ‘70s American movies and has studied boredom as an aesthetic tool for the longest time.

Coming of age does not happen overnight: IndieLisboa turns 23

Susana Bessa
July 2026
Festival Reports
First feral, then domestic, at last foreign. – Raquel Nobre Guerra Growing up happens over time and never stops. At least, that’s what most of us want to believe. It’s a curious thing to think of film fes...

“I love how a river has the power to resurface different stories”: An interview with Jaume Claret Muxart

Susana Bessa
January 2026
Interviews
The river as a mode of expression and perception has long been a source of inspiration for many filmmakers. From Jean Renoir to Ritwik Ghatak, Christian Petzold to Jia Zhangke, going upstream has meant giving a...

Building a Home: Sofia Bohdanowicz’s openness to an inquisitive world

Susana Bessa
July 2025
Feature Articles
It is mesmerizing to watch someone so absorbed in their work. (…) Her hands seem almost transparent as she touches the letters, moves them across the screen. All that evidence, turning realer and more dreamli...

“I like characters who can’t express themselves sometimes”: An Interview with Kazik Radwanski

Susana Bessa
May 2024
Interviews
Matt and Mara (2024) was my first and last screening at this year’s Berlinale. I can’t remember the last time I saw the same film twice at a film festival. Very little could have prepared me for the beautifully...

A place to live in: An Interview with Leonor Teles

Susana Bessa
January 2024
Interviews
Leonor Teles’s mirror-surfaced, headily constructed Baan opens at a moment of contemplation. Against the backdrop of a lilac-infused blue cityscape of the King Power MahaNakhon, the legendary Bangkok skyscraper...

Setting the World Ablaze: Notes from the 30th Curtas Vila do Conde International Film Festival

Susana Bessa
October 2022
Festival Reports
Skimming through my many scribbles in a desired attempt to describe what Curtas Vila do Conde means 30 years into its instalment in Portugal’s now ever-growing film festival scene, the word I found I wrote down...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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