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    • Cocksucker Blues: The Rolling Stones and Some Notes on Robert Frank

      Benjamin Halligan
      October 2010
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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      Benjamin Halligan
      May 2024
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Benjamin Halligan
      August 2007
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Benjamin Halligan
      July 2025
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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      Mark Lager
      November 2024
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      Benjamin Halligan
      February 2022
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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    • We, Cosmos: Laura U. Marks’s Text as Soul Assemblage

      Benjamin Halligan
      January 2026
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
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      Scott Robinson
      May 2026
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      Benjamin Halligan
      June 2012
      CTEQ Annotations on Film
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      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
    • The Faces of Mario Bava’s Black Sabbath

      Kristian Ramsden
      September 2026
    • Filmmaking at the end of the world: The Quiet Earth

      Gregory Bennett
      August 2026
    • Porno, Disco, and Summer of Sam: Spike Lee on Sexuality

      Desirae Embree
      July 2026
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more articles... more articles... more articles... more articles... more articles...

Author Benjamin Halligan

Benjamin Halligan

Benjamin Halligan's critical biography of Michael Reeves is published by Manchester University Press.

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Russian Soul, Eurotrance: Instant Light: Tarkovsky Polaroids edited by Giovanni Chiaramonte and Andrei A. Tarkovsky

Benjamin Halligan
February 2005
Book Reviews
If only because of the softness of the image, and that unavoidably yellowy-brown colour palette characteristic of Polaroid snaps, these photographs could not deserve recognition on their own merits. But as arte...
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Against Cinephiliphobia: Movie Mutations: The Changing Face of World Cinephilia edited by Jonathan Rosenbaum and Adrian Martin

Benjamin Halligan
July 2004
Book Reviews
The disappointment of Peter Cowie's recent Revolution! The Explosion of World Cinema in the '60s (1) is in the failure of the book to capture the evolving as-it-happens aspect of his four-decades-worth of the I...
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Leeds International Film Festival, 2003

Benjamin Halligan
December 2003
Festival Reports
The 11 days of the 17th Leeds International Film Festival delivered a diverse and challenging programme. Leeds has always been adventurous and iconoclastic: the 2002 program included Miklós Jancsó films and...
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Visconti Revisited Take 2: Luchino Visconti by Geoffrey Nowell-Smith

Benjamin Halligan
July 2003
Book Reviews
(Third edition, London: BFI, 2003) The received wisdom on Luchino Visconti involves citing his apparently contradictory nature as the basis for the uniqueness of his work. He, and it, embodies the seemingly ...
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The Remaining Second World: Sokurov and Russian Ark

Benjamin Halligan
March 2003
Film in the Eye of History
Halligan's rich discussion of Sokurov's Russian Ark weaves together analyses of history, politics and art.
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The Felliniesque Besieged: Fellini Lexicon by Sam Rohdie

Benjamin Halligan
January 2003
Book Reviews
(London: BFI Publications, 2002) “I first met your name in the Pasquino cinema in Rome. In Trastevere. They show films in English there. You had written the sceneggiatura for a film I saw that I liked. An Angl...
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On the Interval between Reality and Unreality

Benjamin Halligan
November 2001
Terror, Disaster, Cinema and Reality - A Symposium
As a counterpoint to Slavoj Žižek's interpretation of September 11th – the World Trade Centre Twin Towers as symbols of “virtual capitalism” and “the stark separation between the digitised First World and the T...
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Notes on Negative Space

Benjamin Halligan
February 2001
CTEQ Annotations on Film
Negative Space (1999 UK 39 mins) Source: CAC/NLA Prod Co: Illuminations Television Prod: Keith Griffiths Dir, Scr, Ph: Chris Petit Ed: Emma Matthews Mus: Tracks by Don Covay, Bob Dylan, Lee 'Scratch' Per...
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WR: Mysteries of the Organism by Raymond Durgnat

Benjamin Halligan
December 2000
Book Reviews
(BFI London 1999) An early book by Raymond Durgnat - a monograph published in 1963 by Motion Publications (London) - was called Nouvelle Vague: the first decade. Whatever Nouvelle Vague activity was going on...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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