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      One Week, Far from Hollywood

      Philippe Met
      November 2000
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      Amir Hossein Siadat
      November 2023
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      Tyler Thier
      November 2023
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      Aryan Tauqeer Khawaja
      November 2023
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      Oliver Kenny
      November 2023
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      Frankie Kanatas
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      Laleen Jayamanne
      August 2023
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      Philippe Met
      July 2019
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      Gary M. Kramer
      November 2023
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      Mike Hoolboom
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      Amanda Barbour
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      Amanda Barbour
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      Öykü Sofuoğlu
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      Jaimey Fisher & Gerd Gemünden
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      Philippe Met
      July 2003
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      Philippe Met
      May 2022
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      Ghostly Wanderings Between Cinema and the Gallery: 2015 Adelaide Film Festival

      Philippe Met
      December 2015
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      Xiang Fan
      November 2023
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      Roger Macy
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      Jonathan Mackris
      November 2023
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      Roger Macy
      November 2023
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      Randy Malamud
      November 2023
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      Jaimey Fisher
      November 2023
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      Reinventing European Cinema Studies? The New European Cinema: Redrawing the Map by Rosalind Galt and Crossing New Europe: Postmodern Travel and the European Road Movie by Ewa Mazierska and Laura Rascaroli

      Philippe Met
      May 2007
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      M. Sellers Johnson
      November 2023
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      Hannah Bonner
      November 2023
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      Tony McKibbin
      August 2023
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      Emmanuel Bonin
      August 2023
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      Holly Willis
      May 2023
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      Sam Woolfe
      May 2023
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      Philippe Met
      June 2000
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      Grace Boschetti
      November 2023
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      Adrian Danks
      November 2023
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      Darragh O’Donoghue
      November 2023
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      Mateus Nagime
      November 2023
    • No longer lost, now remembered: A conversation with Rafael de Luna Freire about Antes, o Verão

      Eloise Ross
      November 2023
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      Guilherme Carréra
      November 2023
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Tagged New York

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New York
Bad Lieutenant

Abel Ferrara: Filming (on) the Wild Side (of New York)

Philippe Met
September 2013
Feature Articles
“ New York City is the place where they said Hey babe, take a walk on the wild side ” –Lou Reed, Walk on the Wild Side, 1972 Irrespective of his status as an American cinéaste maudit who is still largely ign...

Urban Modernity and Fluctuating Time: “Catching the Tempo” of the 1920s City Symphony Films

Sarah Jilani
September 2013
Feature Articles
Writing in 1926, Virginia Woolf expressed a certain suspicion that, if anywhere, "the past could be unrolled, distances annihilated in the chaos of the streets", (1) as represented via the new medium of film. ...

Jewish Streetscapes: Ken Jacobs in Lower Manhattan

Federico Windhausen
September 2013
Feature Articles
Tightly knit and momentarily coherent within its own perimeter, the Lower East Side nevertheless represented an experiment in collective rootlessness, a brief transcendence over nationhood by a people that had ...

A Cinema Storm on the Upper West Side: The 50th New York Film Festival

Daniel Fairfax and Joshua Sperling
November 2012
Festival Reports
A dialogue between Daniel Fairfax and Joshua Sperling I. NYFF & Richard Peña JS: A film festival is always more fun with a friend. So for this report of the 50th annual New York Film Festival we thoug...
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Freedom to Offend: How New York Remade Movie Culture by Raymond J. Haberski, Jr

Patrick Ellis
February 2009
Book Reviews
The Paris Theater, on 58th Street in Manhattan, once received bomb threats for showing Roberto Rossellini’s “Il Miracolo” (“The Miracle”) from L’Amore (1948); it is now another stop on the Sex and the City tour...
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City That Never Sleeps: New York and the Filmic Imagination edited by Murray Pomerance

Anna Knight
February 2009
Book Reviews
In his essay on New York as “noir universe” in City That Never Sleeps: New York and the Filmic Imagination, Wheeler Winston Dixon argues that, New York has a hold on our imagination because it is so compact, s...

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