Anxious Metropolis: Alienation and the Cinema of 1960s Paris in Alphaville and Playtime Owen Vince July 2016 Feature Articles “Architecture is the will of an epoch translated into space” - Ludwig Mies van der Rohe, architect I recently found myself standing beneath an awning overlooking the yellow nightly glimmer beyond the Gare du L...
The Overlook: On Patrick Keiller’s The View from The Train Daniele Rugo March 2014 Book Reviews An island is always an uncomfortable entity, for there the struggle between earth and water is simply contained, never entirely over. In one of many reflections on territorial matters Gilles Deleuze writes ‘tha...
Welcome to Issue 68 of our journal the editors September 2013 Editorial When writing on the modern figure of the flâneur, Charles Baudelaire’s description sometimes gives this figure of the city-stroller making his way down the boulevards of 19th Century Paris the attributes of a c...
Abel Ferrara: Filming (on) the Wild Side (of New York) Philippe Met September 2013 Feature Articles “ New York City is the place where they said Hey babe, take a walk on the wild side ” –Lou Reed, Walk on the Wild Side, 1972 Irrespective of his status as an American cinéaste maudit who is still largely ign...
Urban Modernity and Fluctuating Time: “Catching the Tempo” of the 1920s City Symphony Films Sarah Jilani September 2013 Feature Articles Writing in 1926, Virginia Woolf expressed a certain suspicion that, if anywhere, "the past could be unrolled, distances annihilated in the chaos of the streets", (1) as represented via the new medium of film. ...
Jewish Streetscapes: Ken Jacobs in Lower Manhattan Federico Windhausen September 2013 Feature Articles Tightly knit and momentarily coherent within its own perimeter, the Lower East Side nevertheless represented an experiment in collective rootlessness, a brief transcendence over nationhood by a people that had ...
Sounds from the City in Film Noir Eloise Ross April 2012 Feature Articles This article provides a penetrating analysis of the often over looked importance of audio elements and their design in a range of 1950’s film noirs.
The Apartment Plot: Urban Living in American Film and Popular Culture, 1945 to 1975 by Pamela Robertson Wojcik John Fidler June 2011 Book Reviews In Billy Wilder’s hilariously acid The Fortune Cookie (1966), sports cameraman Harry Hinkle (Jack Lemmon) gets clobbered by football star Luther “Boom Boom” Jackson (Ron Rich) when Jackson is tackled along the ...
Freedom to Offend: How New York Remade Movie Culture by Raymond J. Haberski, Jr Patrick Ellis February 2009 Book Reviews The Paris Theater, on 58th Street in Manhattan, once received bomb threats for showing Roberto Rossellini’s “Il Miracolo” (“The Miracle”) from L’Amore (1948); it is now another stop on the Sex and the City tour...
City That Never Sleeps: New York and the Filmic Imagination edited by Murray Pomerance Anna Knight February 2009 Book Reviews In his essay on New York as “noir universe” in City That Never Sleeps: New York and the Filmic Imagination, Wheeler Winston Dixon argues that, New York has a hold on our imagination because it is so compact, s...