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      Clearly, Clearly, Dark-Eyed Donna: Time and A Scanner Darkly

      Daniele Rugo
      November 2006
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    • Port of Dreams, Portals of Displacement: Angela Schanelec’s Marseille and the Narrative Cinema of Exile

      Arielle Friend
      May 2025
    • The Straight Shooter: Reassessing David Lynch’s The Straight Story

      Salvador Carrasco
      May 2025
    • The Fluidity of Muxe Identity in El secreto del río

      Malinalli López Arreguín
      May 2025
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      Alborz Mahboobkhah
      May 2025
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      Alexia Kannas
      January 2025
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      Yiju Huang
      January 2025
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    • “Godless Mysticism”: An Interview with Amiel Courtin-Wilson

      Daniele Rugo
      March 2019
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      Amanda Barbour
      May 2025
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      Gary M. Kramer
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      Hamed Sarrafi
      May 2025
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      Shan Tong
      May 2025
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      Gary M. Kramer
      May 2025
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      Gerd Gemünden & Silvia Spitta
      May 2025
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      Daniele Rugo
      January 2022
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      Eli Vannata
      November 2024
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      Matt Losada
      August 2024
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      Melanie Williams
      August 2024
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      Tony Williams
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      Sherry Johnson
      May 2024
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      Frankie Kanatas
      January 2024
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      Daniele Rugo
      October 2022
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      Tony Williams
      May 2025
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      November 2024
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      Jaimey Fisher
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      Gabrielle Stecher
      November 2023
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      Eloise Ross
      August 2023
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      Fusion Reviewed

      Daniele Rugo
      June 2001
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      Dirk de Bruyn
      May 2025
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      Zifei Wang
      May 2025
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      Cerise Howard
      May 2025
    • Identity, Displacement and Perspective: The Black Europe Film Festival of Minneapolis/Saint Paul

      Vanessa Nyarko
      May 2025
    • A Changing of the Guard? Some Thoughts on New German Films at the 75th International Berlin Film Festival

      Marco Abel
      May 2025
    • Dreams and Nightmares: The 2025 Berlinale

      Daniel Fairfax
      May 2025
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    • Cinema Affairs: Fiery Cinema: The Emergence of an Affective Medium in China, 1915-1945, by Weihong Bao

      Daniele Rugo
      October 2018
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    • More Perspiration than Aspiration: The Last Action Heroes, by Nick de Semlyen

      Tony McKibbin
      May 2025
    • Stepping on the Laugh: Grégoire Halbout’s Hollywood Screwball Comedy

      Scott Robinson
      May 2025
    • Phillip Lopate’s Second Affair with Art House Cinema

      Troy Michael Bordun
      May 2025
    • Buried Treasures: Silver Screens and Golden Dreams: A Social History of Burmese Cinema, by Jane M. Ferguson

      Duncan Caillard
      January 2025
    • Unsettling Relations in Janice Loreck’s Provocations in Women’s Filmmaking

      Tiia Kelly
      January 2025
    • A Title Announcing a Review: A Complicated Passion: The Life and Work of Agnès Varda, by Carrie Rickey

      Wheeler Winston Dixon
      January 2025
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    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Daniele Rugo
      October 2020
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      David Melville
      May 2025
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      Ian Olney
      May 2025
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      John Hill
      April 2025
    • The Cruelty of Time: Amour

      Alex Williams
      April 2025
    • Cinema of Reflexivity: Hegemonic Masculinity and the Logic of Terror in Haneke’s The White Ribbon

      Sandra E. Lim
      March 2025
    • The Honeymoon Killers

      Martyn Bamber
      March 2025
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Author Daniele Rugo

Daniele Rugo

Daniele Rugo is co-founder of InC – Continental Philosophy Research Group (University of London) and is Lecturer in Film at Brunel University, London. He has published on cinema and philosophy in various journals and is the author of Jean-Luc Nancy and the Thinking of Otherness: Philosophy and Powers of Existence (London & NY: Bloomsbury, 2013).

The Overlook: On Patrick Keiller’s The View from The Train

Daniele Rugo
March 2014
Book Reviews
An island is always an uncomfortable entity, for there the struggle between earth and water is simply contained, never entirely over. In one of many reflections on territorial matters Gilles Deleuze writes ‘tha...
Cinema

A School for Everyone. Alain Badiou’s Cinema

Daniele Rugo
September 2013
Book Reviews
In the interview that opens the volume of Alain Badiou’s contributions to the philosophical exploration of cinema, the philosopher says “the cinema has always been the subject of everyday conversations and that...

To Sign One’s Life (With Cinema) Francesco Rosi, Giuseppe Tornatore. Io lo Chiamo Cinematografo.

Daniele Rugo
March 2013
Book Reviews
In the midst of one of his conversations with fellow director Giuseppe Tornatore, Francesco Rosi interrupts his own argument and says: ‘You should have called this book A life, because it is a life I am narrati...

The logic of the unauthorized lover:Jacques Rancière’s Les écarts du cinema

Daniele Rugo
June 2012
Book Reviews
Cinephilia – the very specific love inspired by cinema – has been repeatedly declared deceased. However, whether one takes cinephilia as a historical phenomenon now outshined, or asserts that the magic power of...

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