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      Dreams for Australian Cinema

      Daniele Rugo
      July 2005
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
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      Deux Fois: Some Thoughts on the 24th Vancouver International Film Festival

      Daniele Rugo
      February 2006
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    • The 34th Cinema Ritrovato Has Full Resuscitation under COVID

      Roger Macy
      October 2020
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      Alexandra Heller-Nicholas
      October 2020
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      Leonardo Goi
      October 2020
    • A Vitalising Cinema in an Agitated Age: The 58th New York Film Festival

      Jake Pitre
      October 2020
    • Locarno 2020: The Open Doors Experience

      Maria Giovanna Vagenas
      October 2020
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      Bérénice Reynaud
      July 2020
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      Unpacking Clothes: A Review of Costume and Cinema: Dress Codes in Popular Film by Sarah Street

      Daniele Rugo
      July 2002
      Book Reviews
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    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
    • War, Community, and the Cinema: Front Lines of Community: Hollywood Between War and Democracy by Hermann Kappelhof and Five Came Back: A Story of Hollywood and the Second World War by Mark Harris

      Joshua Sperling
      October 2020
    • The Perfect Conditional: Philippe Garrel by Michael Leonard

      Tony McKibbin
      October 2020
    • Creating the Appearance of Being: The Art of American Screen Acting 1960 to Today, by Dan Callahan

      Tony McKibbin
      July 2020
    • The Restless Spectator: Anxious Cinephilia: Pleasure and Peril at the Movies, by Sarah Keller

      Joshua Heaps
      July 2020
    • Engaged Vision: Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar

      Ivan Cerecina
      July 2020
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      Daniele Rugo
      April 2010
      CTEQ Annotations on Film
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    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
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      Daniele Rugo
      July 2002
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Daniele Rugo

Daniele Rugo

Daniele Rugo is co-founder of InC – Continental Philosophy Research Group (University of London) and is Lecturer in Film at Brunel University, London. He has published on cinema and philosophy in various journals and is the author of Jean-Luc Nancy and the Thinking of Otherness: Philosophy and Powers of Existence (London & NY: Bloomsbury, 2013).

The Overlook: On Patrick Keiller’s The View from The Train

Daniele Rugo
March 2014
Book Reviews
An island is always an uncomfortable entity, for there the struggle between earth and water is simply contained, never entirely over. In one of many reflections on territorial matters Gilles Deleuze writes ‘tha...
Cinema

A School for Everyone. Alain Badiou’s Cinema

Daniele Rugo
September 2013
Book Reviews
In the interview that opens the volume of Alain Badiou’s contributions to the philosophical exploration of cinema, the philosopher says “the cinema has always been the subject of everyday conversations and that...

To Sign One’s Life (With Cinema) Francesco Rosi, Giuseppe Tornatore. Io lo Chiamo Cinematografo.

Daniele Rugo
March 2013
Book Reviews
In the midst of one of his conversations with fellow director Giuseppe Tornatore, Francesco Rosi interrupts his own argument and says: ‘You should have called this book A life, because it is a life I am narrati...

The logic of the unauthorized lover:Jacques Rancière’s Les écarts du cinema

Daniele Rugo
June 2012
Book Reviews
Cinephilia – the very specific love inspired by cinema – has been repeatedly declared deceased. However, whether one takes cinephilia as a historical phenomenon now outshined, or asserts that the magic power of...

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