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  • Dossiers
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    • La La Land

      The Dreamers of La La Land

      Steven Ball
      March 2017
      Feature Articles
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    • The Experimental Propagandist: Frank Capra and the Shape of Truth

      Richard Sowada
      January 2022
    • Heil Darling: a story of lips that haven’t laughed

      Pablo Gonçalo
      January 2022
    • The Night Shift: Woman as Outlaw Hero in The Man I Love

      Rob Nixon
      January 2022
    • Smooth Digital Reveries: On Proto-Vaporwave and The Flying Luna Clipper

      Dechlan Cochran
      January 2022
    • Promising Young Woman and the cinematic renegotiation of gender in rape-revenge

      Joy McEntee
      January 2022
    • Streaming paracinema: Charles Band, Full Moon Features and auteurism on third tier SVOD services

      Andrew Lynch and Alexa Scarlata
      January 2022
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      Steven Ball
      January 2021
      Interviews
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    • Pom Bunsermvicha interview: “Being part of a family“

      Maja Korbecka
      January 2022
    • Leaning into the Challenge: Interview with Scattered co-creators Logan Mucha and Kate Darrigan

      Stuart Richards
      January 2022
    • “The cinema remains alive when it is diverse”: Interview with Jean-Gabriel Périot

      Daniel Fairfax
      January 2022
    • Do you feel lonely standing here? A conversation with Na Jiazuo

      Łukasz Mańkowski
      January 2022
    • A Joyride through Technological Change: Interview with David Cox

      Dirk de Bruyn
      January 2022
    • Sunken Film: Bill Morrison Talks The Village Detective: a song cycle

      Andrew Northrop
      July 2021
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      Steven Ball
      October 2005
      Great Directors
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
      January 2022
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      Charles Fairbanks
      January 2022
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      Dan Golding
      July 2021
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      Jeremy Carr
      July 2021
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      Hal Young
      May 2021
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    • Digging for Gold: To Save and Project: The 17th MoMA International Festival of Film Preservation

      Steven Ball
      April 2020
      Festival Reports
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    • Thessaloniki International Film Festival: Rewriting the Rules of the Game

      Maria Giovanna Vagenas
      February 2022
    • The Pivot to Asia: The 34th Tokyo International Film Festival

      Kohei Usuda
      February 2022
    • Come Together: The 59th Viennale

      Leonardo Goi
      January 2022
    • From White Clouds, Wild Delights: The 18th Golden Apricot Yerevan International Film Festival

      Carmen Gray
      January 2022
    • AFI FEST-AFM: The Perils of Online

      Bérénice Reynaud
      January 2022
    • Looking for Love at HitchCon 2021

      Amelia Leonard and Jacob Agius
      January 2022
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      The Eloquence of the Vulgar: Language, Cinema and the Politics of Culture by Colin MacCabe

      Steven Ball
      July 2001
      Book Reviews
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    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
    • Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

      Joy McEntee
      May 2021
  • CTEQ
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      High and Low

      Steven Ball
      February 2005
      CTEQ Annotations on Film
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Steven Ball

Steven Ball

Steven Ball is an artist working across audio-visual media and performance. He is Research Fellow at Central Saint Martins in London, where he was instrumental in developing the British Artists’ Film and Video Study Collection

Post-Colonial Film Avant-Garde

Beyond the Cringe: Australia, Britain, and the Post-Colonial Film Avant-Garde

Steven Ball
March 2016
Contemporary British Experimental Film & Video
For some decades there has been two-way traffic between the avant-garde film worlds of Australia and the UK. Australian artists arrive from a local scene that continues to resonate with the influences of an ava...

D’Est: Spectres of Communism

Steven Ball
May 2013
CTEQ Annotations on Film
In Ken McMullen’s 1983 film Ghost Dance, Jacques Derrida, improvising the role of a professor, is asked by Pascale Ogier, improvising the role of a student, whether he believes in ghosts. Derrida answers: That...

Turning and Unfolding: Personal Reflections on Cantrills Filmnotes

Steven Ball
October 2010
Arthur and Corinne Cantrill Dossier
The trouble with archives is their lack of completeness. The mal d’archive, the archive fever that troubled Freud as explicated by Derrida (1), is in part the anxiety of the imperative of completeness, the need...
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Material Damage: The Films of Dirk de Bruyn

Steven Ball
July 2005
CTEQ Annotations on Film
1. Material The low grain of the sound of Dirk de Bruyn's voice weaves through many of the films he made in the 1990s. Mike Hoolboom characterises this voice as providing an “inner monologue and conscience”,...
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Spinning Straw into Gold: Four Works by Jürgen Reble in the New Medium of Film

Steven Ball
July 2004
CTEQ Annotations on Film
Rumpelstilzchen (1989 Germany 15 mins) Source: Light Cone Filmmaker: Jürgen Reble Zillertal (1991 Germany 11 mins) Source: Light Cone Filmmaker: Jürgen Reble Das Goldene Tor/The Golden Gate (1992 Ge...

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