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  • Dossiers
  • Features
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    • Zodiac

      Zodiac and the Ends of Cinema

      Marc Raymond
      March 2016
      Feature Articles
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    • Respecting the Lives of Others: Bergman Island, Hommage and Anaïs in Love

      Anthony McKibbin
      August 2022
    • Protestploitation ’70: Revisiting Zabriskie Point and Strawberry Statement

      Selen Ozturk
      July 2022
    • More than a Wink: The Nature of Reality in Blow-Up and Las Babas del Diablo

      Will Hair
      July 2022
    • Suicide and Genius: Insights into One Episode of Akira Kurosawa’s Dreams

      Matthew Michaud & Justin Richardson
      July 2022
    • Interrogating Identity: The Fractal Self in Le petit soldat

      Michael James Beck
      July 2022
    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part III

      Thomas Austin
      July 2022
  • Interviews
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    • The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie

      Marc Raymond
      May 2022
      Interviews
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    • “Resistance is the driving force of the film”: An Interview with Davy Chou

      Maja Korbecka
      July 2022
    • The Plains: Conversation with David Easteal

      Maria Giovanna Vagenas
      July 2022
    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022
    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022
    • “The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz

      Victor Paz
      May 2022
    • Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation

      Madeleine Collier
      May 2022
  • Great Directors
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    • Wenders, Wim

      Marc Raymond
      May 2003
      Great Directors
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    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022
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      Darragh O’Donoghue
      May 2022
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      Jeremy Carr
      January 2022
    • Lau, Kar-leung

      Tom Cunliffe
      January 2022
    • Tahimik, Kidlat 

      Charles Fairbanks
      January 2022
    • Lucas, George

      Dan Golding
      July 2021
  • Great Actors
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    • Magee, Patrick

      Marc Raymond
      May 2022
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    • Lansbury, Angela

      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
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      Jeremy Carr
      May 2022
    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
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      19th International Istanbul Film Festival

      Marc Raymond
      May 2000
      Festival Reports
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    • Sundance Film Festival 2022

      Bérénice Reynaud
      August 2022
    • Is this the real life? Is this just fantasy? The 56th Karlovy Vary International Film Festival

      Cerise Howard
      August 2022
    • Normality: The 2022 Cannes Film Festival

      Daniel Fairfax
      August 2022
    • 36th Cinema Ritrovato Gets Covid in the Tail

      Roger Macy
      July 2022
    • Keeping the Fires Burning: A Week at the San Francisco Silent Film Festival

      Jonathan Mackris
      July 2022
    • New Territories and Old Dreams of Independence – Chinese and Hong Kong documentaries at the Taiwan International Documentary Festival

      Judith Pernin
      July 2022
  • Book Reviews
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    • Book Reviews

      Marc Raymond
      September 2012
      Book Reviews
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    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021
  • CTEQ
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      Hasta la Victoria Siempre

      Marc Raymond
      November 2001
      CTEQ Annotations on Film
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    • Shadows of Forgotten Ancestors (Sergei Parajanov, 1965)

      Wheeler Winston Dixon
      July 2022
    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
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Author Marc Raymond

Marc Raymond

Marc Raymond is an Associate Professor in the Communications department at Kwangwoon University in Seoul. He is the author of the book Hollywood's New Yorker: The Making of Martin Scorsese (SUNY Press, 2013) and has published essays on Hong Sang-soo in the New Review of Film and Television Studies and Style.

Film Goes On (?): The 23rd Jeonju International Film Festival

Marc Raymond
May 2022
Festival Reports
This year’s 23rd edition of the Jeonju International Film Festival returned to full capacity for the first time since 2019, following a 2020 cancellation and a reduced capacity/hybrid version in 2021. Its sloga...

Expanding on the Familiar: The 26th Busan International Film Festival

Marc Raymond
January 2022
Festival Reports
2021 marked a return of the Busan film festival to close to normality following a 2020 which had very limited theatrical presence, consisting mostly of online screenings, especially for press, as well as a more...

Familiar and Not-Familiar: An Uncanny Journey Through the 22nd Jeonju International Film Festival

Marc Raymond
July 2021
Festival Reports
Last year, for the first time since 2007, I was unable to attend the Jeonju film festival, as it was in effect canceled, although there was still a program and some local screenings over a few months of many of...

Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival

Marc Raymond
January 2021
Festival Reports
The 25th Busan International Film Festival was originally scheduled to take place in early October, as usual, with a full lineup and screenings, albeit with certain increased safety measures and reduced foreign...

Korean Cinema in the Shadow of Parasite: The 24th Busan International Film Festival

Marc Raymond
January 2020
Festival Reports
Busan 2019 marked a year of celebration, with multiple retrospective screenings in honour of the 100th anniversary of Korean cinema coinciding with Bong Joon-ho’s Gi-saeng-chung (Parasite) receiving Korea’s fir...

Looking Forward and Looking Back: The 20th Jeonju International Film Festival

Marc Raymond
July 2019
Festival Reports
2019 marked the 20th anniversary of the Jeonju film festival, which celebrated with its largest program to date, with an emphasis on both the history of Korean cinema as well as the legacy of the festival itsel...

Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

Marc Raymond
December 2018
Festival Reports
The latest edition of the Busan International Film Festival featured the usual lineup: a number of films getting their Asian or Korean premieres after having debuted at more prestigious festivals (Cannes, Venic...
Mate (Jung Daegun, 2017)

South Korea’s Shadow Land: The 19th Jeonju International Film Festival

Marc Raymond
June 2018
Festival Reports
Over the course of five days at this year’s Jeonju film festival, I watched 21 films, the vast majority of which were Korean, with 15 of these being world premieres. This is in stark contrast to my first visit ...
Counting the Stars at Night

Korean Cinema in Winter: The 22nd Busan International Film Festival

Marc Raymond
December 2017
Festival Reports
Because of an extended national vacation of ten days in early October due to the unusual convergence of various holidays (most notably Chuseok, the Korean Thanksgiving), this year’s Busan film festival was dela...
Jeonju 2017

Reckoning with the Past: The 18th Jeonju International Film Festival

Marc Raymond
June 2017
Festival Reports
The year 2016 in Korean cinema was especially strong if turbulent, with many major films by established auteurs, impressive debuts and second features from younger directors, and a political controversy over th...
Busan International Film Festival

The Festival That Almost Wasn’t: The 21st Busan International Film Festival

Marc Raymond
December 2016
Festival Reports
In 2014, the Busan International Film Festival screened the documentary Diving Bell (The Truth Will Not Sink with Sewol), co-directed by Lee Sang-ho and Ahn Hae-ryong. Even before this premiere, there was contr...
Jeonju film festival

International Cinema, Nationalist Politics: The 17th 2016 Jeonju International Film Festival

Marc Raymond
September 2016
Festival Reports
2016 marked the 17th year for the Jeonju International Film Festival, held annually in early May in a small southern city in South Korea’s Jeolla Province. The festival has long been South Korea’s second major ...

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