• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random
    • article placeholder

      Taking Leave: A Film Ends

      Lidia Merás
      June 2000
      Feature Articles
    Recent
    • A Face in the Crowd: Ritual, Mythological and Political contexts in Stranger and the Fog

      Amir Hossein Siadat
      November 2023
    • Consensus Empire: Empowering the Spectator through Letterboxd Reviews

      Tyler Thier
      November 2023
    • We Can’t Save The Victims: Hauntology in Tony Scott’s Déjà Vu

      Aryan Tauqeer Khawaja
      November 2023
    • Situating Lucile Hadžihalilović’s Good Boys Use Condoms

      Oliver Kenny
      November 2023
    • Songs of Joy and Melancholy: On My Darling in Stirling

      Frankie Kanatas
      November 2023
    • Film Criticism and the Grotesque: A Very American Tár & an Oz Elvis

      Laleen Jayamanne
      August 2023
  • Interviews
    Random
    • Ghost Town Anthology: An Interview with Denis Côté

      Lidia Merás
      July 2020
      Interviews
    Recent
    • An Interview with Delphine Girard

      Gary M. Kramer
      November 2023
    • Writing Like Water: An Interview with Paul Preciado

      Mike Hoolboom
      November 2023
    • Mapping Global Horror: Academic roundtable

      Amanda Barbour
      November 2023
    • Mapping Global Horror: Filmmaker roundtable

      Amanda Barbour
      November 2023
    • Our Body is a Battleground: An Interview with Claire Simon

      Öykü Sofuoğlu
      November 2023
    • “Irritation Is the Most Important Tool Any Artist Has”: An Interview with Jessica Hausner

      Jaimey Fisher & Gerd Gemünden
      November 2023
  • Great Directors
    Random
    • Cammell, Donald

      Lidia Merás
      December 2002
      Great Directors
    Recent
    • Rou, Aleksandr

      Deborah Allison
      November 2023
    • Woo, John

      Jeremy Carr
      November 2023
    • Thompson, J. Lee

      Jeremy Carr
      May 2023
    • Beresford, Bruce

      Benjamin Kooyman
      May 2023
    • Fosse, Bob

      Sherry Johnson
      January 2023
    • Cimino, Michael

      Giampiero Frasca
      January 2023
  • Great Actors
    Random
    • Garbo, Greta

      Lidia Merás
      May 2022
      Great Actors
    Recent
    • Taylor, Elizabeth

      Gabrielle Stecher
      November 2023
    • Stanwyck, Barbara

      Eloise Ross
      August 2023
    • Bogart, Humphrey

      Wheeler Winston Dixon
      May 2023
    • Divine

      Jacob Agius
      October 2022
    • Lansbury, Angela

      Joy McEntee
      May 2022
    • Caine, Michael

      Wheeler Winston Dixon
      May 2022
  • Festival Reports
    Random
    • All that is Solid Melts into Air: IFFR 2023

      Lidia Merás
      May 2023
      Festival Reports
    Recent
    • In Search of Indie’s Soul: Chinese Independent Cinema Today and Beyond

      Xiang Fan
      November 2023
    • Amiko haunts the 23rd Nippon Connection

      Roger Macy
      November 2023
    • Notes From The 26th San Francisco Silent Film Festival

      Jonathan Mackris
      November 2023
    • Magnetizing and still Putting on Weight – the 37th Il Cinema Ritrovato

      Roger Macy
      November 2023
    • Dealing with the past, and present, at the 29th Sarajevo Film Festival

      Randy Malamud
      November 2023
    • 76th Locarno Film Festival: Culture on the Edge, Tumbling Into Futures Unknown

      Jaimey Fisher
      November 2023
  • Book Reviews
    Random
    • The logic of the unauthorized lover:Jacques Rancière’s Les écarts du cinema

      Lidia Merás
      June 2012
      Book Reviews
    Recent
    • Facing the Other: Keyvan Manafi’s The Eye of the Cinematograph: Levinas and Realisms of the Body

      M. Sellers Johnson
      November 2023
    • A Man of Genius Has Been Seldom Ruined But By Himself: Ethan Warren’s The Cinema of Paul Thomas Anderson

      Hannah Bonner
      November 2023
    • The Rebellious and the Rigorous: The Red Years of Cahiers du cinéma (1968-1973), by Daniel Fairfax

      Tony McKibbin
      August 2023
    • A Journey through Serge Daney’s Cinema House

      Emmanuel Bonin
      August 2023
    • Bloody, Raging Females: Five Books Examine Contemporary Feminist Horror Films

      Holly Willis
      May 2023
    • Cinematic Bottom-Feeding: Why It’s OK to Love Bad Movies, by Matthew Strohl

      Sam Woolfe
      May 2023
  • CTEQ
    Random
    • article placeholder

      An Actor’s Revenge

      Lidia Merás
      March 2003
      CTEQ Annotations on Film
    Recent
    • Western

      Martyn Bamber
      December 2023
    • History and Oblivion: Radu Jude tells a “new” story an old way with Aferim!

      Shari Kizirian
      December 2023
    • Silver City

      Grace Boschetti
      November 2023
    • The Golden Cage: Ayten Kuyululu and Australian Cinema

      Adrian Danks
      November 2023
    • Twice a Man

      Darragh O’Donoghue
      November 2023
    • A Rainha Diaba

      Mateus Nagime
      November 2023
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Contributions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author Lidia Merás

Lidia Merás

Lidia Merás is a member of the editorial staff of the film journal, Secuencias, and writes regularly on film and contemporary art. She is currently writing her doctoral thesis on the figure of the cyborg, entitled “From Robocop to Neo. Hybrid Archetypes in Science Fiction Films, 1979-2000”.

article placeholder

Gijón at the Turning Point: The 45th Gijón International Film Festival

Lidia Merás
April 2008
Festival Reports
22 November – 1 December 2007 The substantial increase in the number of film festivals in recent years in Spain is doubtless an interesting case of study. In the last ten years, Málaga (launched in 1998)...
article placeholder

Moroccan Cinema at Las Palmas: Immigration from the Other Shore: 8th Las Palmas de Gran Canaria International Film Festival

Lidia Merás
August 2007
Festival Reports
16-24 March 2007 Translated by Anita Haas Because of its varied landscape, the Spanish island of Gran Canaria (The Canary Islands) often goes by the nickname “the little continent”. There are tropical...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella • Nace Zavrl

Contributing Partner

Donate to Senses

 

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff