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  • Dossiers
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    • The Tale of Perceval le Gallois and the Young Althusserians

      Claudia Siefen
      April 2010
      Eric Rohmer Dossier, Feature Articles, Special Dossiers
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Claudia Siefen
      July 2026
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Đăng Tùng Bạch
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Daniel Theophanous
      July 2026
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      Claudia Siefen
      November 2006
      Great Directors
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Claudia Siefen
      November 2024
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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    • Vancouver International film festival review

      Why Vancouver?

      Claudia Siefen
      March 2016
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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    • Consumed David Cronenberg

      I Like Your Early, Scary Films: Consumed: A Novel, by David Cronenberg

      Claudia Siefen
      December 2015
      Book Reviews
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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      Bob le flambeur

      Claudia Siefen
      March 2003
      CTEQ Annotations on Film
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    • Le jour se lève: Along the noir continuum

      Shari Kizirian
      October 2026
    • Thérèse Raquin

      Daniel Phuoc Wilson
      October 2026
    • Les Portes de la nuit

      Brad Weismann
      October 2026
    • Trouble in Paradise: Ikarie XB 1’s Music and Sound

      Austin Lancaster
      October 2026
    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
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Author Claudia Siefen

Claudia Siefen

Claudia Siefen works as a film critic, catalogue editor and essayist, focussing on cinema history. She has spent eight years working as a film editor on documentaries. Born in Cologne, Germany, she has lived and worked in Vienna, Austria, since 2007.

“Dropping films and burning palaces”: The Diagonale Festival of Austrian Film

Claudia Siefen
July 2009
Festival Reports
17-22 March 2009 While film festivals get questioned more and more about their purpose on the contemporary film market, the Diagonale seems quiet sure about their benefit: to get an idea of the Austrian ...

The Truth and the Pleasure: The 55th Internationale Kurzfilmtage Oberhausen

Claudia Siefen
July 2009
Festival Reports
  30 April – 5 May 2009 If you should ever come to know a film critic who is crazy not only about the A-programme screened at the International Shortfilm Festival in Oberhausen but the location itsel...
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“This is a small country, you know” The Diagonale Festival of Austrian Film

Claudia Siefen
May 2008
Festival Reports
1 - 6 April 2008 Love – Work – Cinema. This motto seemed to me something real and grounded and I was looking forward to discovering the richness and breadth of contemporary Austrian filmmaking as it was ...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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