“Modern Love”: The 63rd Melbourne International Film Festival Eloise Ross September 2013 Festival Reports After the opening night choice of Los amantes pasajeros (I’m so Excited!), which enthusiastically promised the complexities of a Pedro Almodóvar script and direction but instead relied on bland character conven...
62nd Melbourne International Film Festival Dossier (2013) the editors July 2013 Uncategorized To coincide with the 2013 Melbourne International Film Festival (MIFF), Senses of Cinema has commissioned a series of articles that cover two particularly important and vibrant strands of its vast program: a sm...
“There is still time… brother”: On the Beach and Lawrence Johnston’s Fallout Adrian Danks July 2013 Uncategorized “Swimming”, he told her. “He wants to have a swim.” “Sailing? There’s a race on Saturday.” “I didn’t ask him. I should think he sails. He’s the sort of man who would.” She took a drink of beer. “We could tak...
“Trouble in my brain… everything inside is turning blue…” Lisa French July 2013 Uncategorized In the early eighties, The Sunnyboys were the greatest band on the planet… - Stuart Coupe, Music Journalist (interviewed in The Sunnyboy) Kaye Harrison’s new documentary The Sunnyboy (2013) opens with the d...
The Girl in the Yellow Pyjamas Gino Moliterno July 2013 Uncategorized After graduating from the Italian National Film School in the immediate postwar period Flavio Mogherini became one of the most esteemed and sought-after production designers and art directors of the reborn Ital...
Un tranquillo posto di campagna/A Quiet Place in the Country Pasquale Iannone July 2013 Uncategorized Between 1961 and 1968, Elio Petri established himself as one of the most distinctive voices of Italian post-neo-realist cinema. His 1961 feature debut L’Assassino is an often-overlooked example of the filmic gi...
The Parallel Universe Haydn Keenan July 2013 Uncategorized June 2013: It’s not often that you find yourself in another world, a parallel universe that’s real, has sentient beings passing through it and you quietly observing. But it’s happening to me more and more. T...
“‘Pathetic Little Perv’: Patrick Rises Again” Rose Capp July 2013 Uncategorized In Mark Hartley’s Not Quite Hollywood (Mark Hartley, 2008), the writer/director explores a substantial group of underappreciated Australian genre films produced in the 1970s and 1980s. The genteel historicity o...
Dario Argento: Giallo and Profondo Rosso (Deep Red) Tyson Wils July 2013 Uncategorized Argento’s World of Giallo Dario Argento (b. 1940-) has been making gialli for a long time. His first three features – L’uccello dalle piume di cristallo (The Bird with the Crystal Plumage, 1970), Il gatto a no...
No Place Like Home: The Late-Modern World of the Italian giallo Film Alexia Kannas July 2013 Uncategorized In the final shot of Dario Argento’s Profondo Rosso (Deep Red, 1975), the amateur detective/jazz pianist Marcus Daly (David Hemmings) stares icily at his own reflection in a pool of still-warm blood. The killer...
Textures of Memory, Images in Flux: The 2012 Melbourne International Film Festival Nicholas Godfrey September 2012 Festival Reports At first blush, it seems difficult to pin-down what this year’s Melbourne International Film Festival (MIFF) was trying to be: with an international programme borrowing heavily from Cannes and Venice, a good po...
61st Melbourne International Film Festival Dossier (2012) the editors July 2012 Uncategorized To coincide with the 2012 Melbourne International Film Festival (MIFF), Senses of Cinema has commissioned a series of articles that cover many different aspects of the program ranging from new Iranian cinema an...