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      Dancing with Myself, Drifting with My Camera: The Emotional Vagabonds of China’s New Documentary

      Daniel Eisenberg
      October 2003
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Daniel Eisenberg
      July 2020
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Daniel Eisenberg
      January 2003
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      Florian Zappe
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      Patrick F. Campos
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      January 2026
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      Ashish Dwivedi
      November 2025
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      Daniel Eisenberg
      January 2022
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      November 2025
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      July 2025
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      May 2025
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      May 2025
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      Notes From the Edge: The 16th Brisbane International Film Festival

      Daniel Eisenberg
      November 2007
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Sheep and the Australian Cinema by Deb Verhoeven

      Daniel Eisenberg
      November 2006
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Wheeler Winston Dixon
      May 2026
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      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      The Indian Runner

      Daniel Eisenberg
      June 2001
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      Darragh O’Donoghue
      September 2026
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      Kyle Sossamon
      September 2026
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      Ian Olney
      September 2026
    • The Faces of Mario Bava’s Black Sabbath

      Kristian Ramsden
      September 2026
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      Gregory Bennett
      August 2026
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      Desirae Embree
      July 2026
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Author Daniel Eisenberg

Daniel Eisenberg

Daniel Eisenberg is a PhD candidate at the Australian National University. His thesis is an explorative study navigating and negotiating the idea of the “Australian Western”. Other areas of academic interest include graphic novels on screen, American cinema and documentary. He is also a trained film archivist and projectionist, sporadic film reviewer and insatiable fan of all things cinema.

“A little piece of a big, big universe”: Beasts of the Southern Wild

Daniel Eisenberg
July 2012
2012 MIFF Dossier
“The whole universe depends on everything fitting together just right. If one piece busts, even the smallest piece, the entire universe will get busted.” - Hushpuppy (Quvenzhané Wallis) in Beasts of the Southe...

Wizards and Robots and Movies, Oh My! A comparative review of Keith M. Johnston’s Science Fiction Film and James Walter’s Fantasy Film

Daniel Eisenberg
June 2012
Book Reviews
Keith M. Johnston’s Science Fiction Film: a Critical Introduction is dedicated to his parents because they helped him become a science fiction fan and scholar (p. xi). They took him to the films, bought him t...

Schepisi’s Celluloid Australia

Daniel Eisenberg
October 2011
Fred Schepisi Dossier
Fred Schepisi has been labeled as a “major force in the Australian film industry” (1). Two of the three features he has made in Australia prior to this year – The Devil’s Playground (1976) and Evil Angels (aka ...

Real and Reel: The Education of a Film Obsessive and Critic by Brian McFarlane

Daniel Eisenberg
June 2011
Book Reviews
Self-identified “filmophile” Brian McFarlane opens his “touch of the memoirs” at age ten, reminiscing about reviewing films he had never seen – something he never let stand in his way. I must state, at the open...

The Camera in the Iron Helmet: Ned Kelly (Gregor Jordan, 2003)

Daniel Eisenberg
March 2011
Key Moments in Australian Cinema
Mark Juddery has claimed that, without film, Edward “Ned”Kelly could not be the national icon he is today (1). When viewing Kelly’s cinematic legacy, it is hard to disagree. Kelly has appeared on the big screen...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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