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      The Swine who Rewrote F. Scott Fitzgerald: Joseph L. Mankiewicz as Producer

      Nicholas Godfrey
      October 2003
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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    • An Interview with Pia Marais

      Nicholas Godfrey
      November 2024
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      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Nicholas Godfrey
      October 2003
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Nicholas Godfrey
      November 2024
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
  • Festival Reports
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    • The Old Converges with the New: The 59th San Sebastián Film Festival

      Nicholas Godfrey
      December 2011
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
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      European Cinema: Face to Face with Hollywood by Thomas Elsaesser

      Nicholas Godfrey
      July 2006
      Book Reviews
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    • Feeling the Screen Story’s Pulse: Karen Peralman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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      Nicholas Godfrey
      November 2022
      CTEQ Annotations on Film
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    • Filmmaking at the end of the world: The Quiet Earth

      Gregory Bennett
      August 2026
    • Porno, Disco, and Summer of Sam: Spike Lee on Sexuality

      Desirae Embree
      July 2026
    • 4 Little Girls

      Darragh O’Donoghue
      July 2026
    • A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

      Sandra E. Lim
      July 2026
    • 25th Hour

      Michael Green
      July 2026
    • School Daze-d and Confused

      Sebastian Carrasco
      July 2026
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Author Nicholas Godfrey

Nicholas Godfrey

Nicholas Godfrey is a lecturer in the Department of Screen and Media at Flinders University in South Australia, where he completed his PhD. He is a participant in the emerging curator program at the Adelaide Film Festival.

Hong Kong

High Anxiety: The 41st Hong Kong International Film Festival

Nicholas Godfrey
June 2017
Festival Reports
The 41st Hong Kong International Film Festival (HKIFF) was launched amidst political turmoil and much soul searching about the state of the local film industry. While tales of the declining fortunes of Hong Kon...
new hollywood

Pop Provocation: A tour of the outer limits of the New Hollywood

Nicholas Godfrey
July 2016
Feature Articles
“It’s a movie for kids, they’re not going to dig it, man!” Peter Tork, Head The story is, by now, familiar. Amidst dwindling cinema attendance and the migration of the mass audience to television, Hollywood’s...

In the Shadow of the Giant: the 37th Hong Kong International Film Festival

Nicholas Godfrey
June 2013
Festival Reports
One of the last big film festivals, running at 17 days, the Hong Kong International Film Festival offers the hardy filmgoer plenty of opportunities to race back and forth across the fragrant harbour by ferry, s...

The Long Game: Conversations with Independent Iconoclasts Roger Corman, George A. Romero, and Charles Burnett

Nicholas Godfrey
November 2012
Book Reviews
   The ongoing University of Mississippi Press Conversations with Filmmakers series compiles carefully curated, career-spanning interviews with notable directors. These three recent installments, on Roger Corm...

Textures of Memory, Images in Flux: The 2012 Melbourne International Film Festival

Nicholas Godfrey
September 2012
Festival Reports
At first blush, it seems difficult to pin-down what this year’s Melbourne International Film Festival (MIFF) was trying to be: with an international programme borrowing heavily from Cannes and Venice, a good po...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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