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The Bleakness of the Happy Ending: Sirk’s Uncomfortable Comedies
the editors
February 2015
Feature Articles
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Respecting the Lives of Others:
Bergman Island
,
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and
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Anthony McKibbin
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Protestploitation ’70: Revisiting
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and
Strawberry Statement
Selen Ozturk
July 2022
More than a Wink: The Nature of Reality in
Blow-Up
and
Las Babas del Diablo
Will Hair
July 2022
Suicide and Genius: Insights into One Episode of Akira Kurosawa’s
Dreams
Matthew Michaud & Justin Richardson
July 2022
Interrogating Identity: The Fractal Self in
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Michael James Beck
July 2022
Bigger than life, or stranger: Pedro Costa’s
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: Part III
Thomas Austin
July 2022
Interviews
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“Godless Mysticism”: An Interview with Amiel Courtin-Wilson
the editors
March 2019
Interviews
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The Plains
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Maria Giovanna Vagenas
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Maja Korbecka
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Human is only human when vulnerable: An Interview With Michel Franco
Savina Petkova
May 2022
‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella
Silvia Spitta & Gerd Gemünden
May 2022
“The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz
Victor Paz
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Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation
Madeleine Collier
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Great Directors
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Mann, Anthony
the editors
January 2003
Great Directors
Recent
Smith, Jack: Travails of an Underground Artist
Sanya Osha
May 2022
Desai, Manmohan
Darragh O’Donoghue
May 2022
Curtiz, Michael
Jeremy Carr
January 2022
Lau, Kar-leung
Tom Cunliffe
January 2022
Tahimik, Kidlat
Charles Fairbanks
January 2022
Lucas, George
Dan Golding
July 2021
Great Actors
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Garbo, Greta
the editors
May 2022
Great Actors
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Lansbury, Angela
Joy McEntee
May 2022
Caine, Michael
Wheeler Winston Dixon
May 2022
Magee, Patrick
Mark Lager
May 2022
Cage, Nicolas
Jessica Balanzategui
January 2022
Festival Reports
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The 47
th
Cork Film Festival – A Report
the editors
December 2002
Festival Reports
Recent
Sundance Film Festival 2022
Bérénice Reynaud
August 2022
Is this the real life? Is this just fantasy? The 56th Karlovy Vary International Film Festival
Cerise Howard
August 2022
Normality: The 2022 Cannes Film Festival
Daniel Fairfax
August 2022
36th Cinema Ritrovato Gets Covid in the Tail
Roger Macy
July 2022
Keeping the Fires Burning: A Week at the San Francisco Silent Film Festival
Jonathan Mackris
July 2022
New Territories and Old Dreams of Independence – Chinese and Hong Kong documentaries at the Taiwan International Documentary Festival
Judith Pernin
July 2022
Book Reviews
Random
Lisa K. Stein's
Syd Chaplin: A Biography
the editors
September 2012
Book Reviews
Recent
Trafic
at 30, End of a Film Journal
Emmanuel Bonin
July 2022
How to Do Things with Camera Movement:
The Lure of the Image: Epistemic Fantasies of the Moving Camera
, by Daniel Morgan
Kyle Barrowman
May 2022
The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad
Tony McKibbin
January 2022
Hollywood, Reinvented:
Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic
, by Glenn Frankel
Elroy Rosenberg
January 2022
Rhythm and Light:
Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz,
by Laleen Jayamanne
Steven Shaviro
July 2021
West Side Story
Redux:
West Side Story: The Jets, the Sharks, and the Making of a Classic,
by Richard Barrios
Adrian Schober
July 2021
CTEQ
Random
The Wild One
the editors
November 2007
CTEQ Annotations on Film
Recent
Sitting on a Branch, Enjoying Myself
(
Sedím na konári a je mi dobre
, Juraj Jakubisko, 1989)
Darragh O’Donoghue
October 2022
Gazing at the Gaze: Celine Sciamma’s
Portrait of a Lady on Fire
(2019)
Anders Furze
September 2022
Ma Vie de Courgette
(
My Life as a Courgette
, Claude Barras, 2016)
Cristina Johnston
September 2022
Les Olympiades
(
Paris, 13th District
, Jacques Audiard, 2021)
Darragh O’Donoghue
September 2022
Girlhood
(Céline Sciamma, 2014)
Holly Willis
September 2022
Petite Maman
(Céline Sciamma, 2021)
Louise Cain
September 2022
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Issue 64
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Issue 64
Issue 64
the editors
September 2012
...
