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  • Dossiers
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    • The Doors of Reception: Notes Toward a Psychedelic Film Investigation

      Andréas Giannopoulos
      June 2018
      Feature Articles
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
    • This Body Keeps the Score: the films of Saidin Salkic

      Dirk de Bruyn
      January 2023
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    • Human is only human when vulnerable: An Interview With Michel Franco

      Andréas Giannopoulos
      May 2022
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      Maria Giovanna Vagenas
      March 2023
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
      January 2023
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      Toby Wu
      January 2023
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      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      Andréas Giannopoulos
      May 2003
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
      January 2023
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Andréas Giannopoulos
      October 2022
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      Joy McEntee
      May 2022
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      May 2022
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      Mark Lager
      May 2022
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      Jessica Balanzategui
      January 2022
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    • Tweets in the Dark: The 13th Revelation Perth International Film Festival

      Andréas Giannopoulos
      October 2010
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      Leonardo Goi
      January 2023
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      Kohei Usuda
      January 2023
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      Marc Raymond
      January 2023
    • A Report on the Exhibition Threshold (works by Dirk de Bruyn, Guy Grabowsky & Mat Hughes)

      Glenn D'Cruz
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
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      Mother India by Gayatri Chatterjee

      Andréas Giannopoulos
      December 2002
      Book Reviews
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
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    • The Gentle Perfume of Despair: Sans lendemain (Max Ophuls, 1939)

      Andréas Giannopoulos
      March 2019
      CTEQ Annotations on Film
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    • CYCLO (Tran Anh Hung, 1995)

      Andrew Le
      April 2023
    • Pickpocket (Robert Bresson, 1959)

      Emma Fajgenbaum
      March 2023
    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
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Author Andréas Giannopoulos

Andréas Giannopoulos

Andréas Giannopoulos is a Melbourne-based narrative film director and writer. He recently completed a Master of Arts Screen: Directing at the Australian Film Television and Radio School, and is a committee member of the Melbourne Cinémathèque.

Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

Andréas Giannopoulos
November 2022
CTEQ Annotations on Film
By the end of the 1920s the success of Sunrise: A Song of Two Humans (1927) had made F. W. Murnau a significantly wealthy and commanding figure in Hollywood. But diminishing returns from his follow-up Four Devi...

An entertainment: Fritz Lang’s Ministry of Fear (1944)

Andréas Giannopoulos
May 2022
CTEQ Annotations on Film
Graham Greene’s 1943 novel The Ministry of Fear – a “wrong man” story set during the London Blitz in which a recently institutionalised person accidentally obtains a cake containing secret Nazi microfilm – seem...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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