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    • Love and Desire in Eric Rohmer’s ‘Comedies and Proverbs’ and ‘Tales of the Four Seasons’

      Sian Mitchell
      April 2010
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    • Film Criticism and the Grotesque: A Very American Tár & an Oz Elvis

      Laleen Jayamanne
      August 2023
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      Thomas Austin
      August 2023
    • Horse-People and White Voices: Neoliberalism and Race in Sorry to Bother You

      Thomas Austin
      May 2023
    • The Exorcism of Sinister Ghosts: Saralisa Volm’s The Silent Forest

      Peter Verstraten
      May 2023
    • Spectatorial Labour: The Political Vision of Sergei Loznitsa’s Documentaries

      Santasil Mallik
      May 2023
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      Khatuna Maisashvili
      January 2023
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      Sian Mitchell
      March 2019
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      Marco Abel
      August 2023
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      Maria Giovanna Vagenas
      August 2023
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      C.S. Harper
      August 2023
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      Hamed Sarrafi
      August 2023
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      Maria Giovanna Vagenas
      May 2023
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      Brigitta Wagner
      May 2023
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      Sian Mitchell
      March 2011
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      Giampiero Frasca
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      October 2022
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      May 2022
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      38th New York Film Festival Report

      Sian Mitchell
      November 2000
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      Marc Raymond
      August 2023
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      Fedor Tot
      August 2023
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      Arindam Sen
      August 2023
    • Rising from the ashes: The 47th Hong Kong International Film Festival

      Maja Korbecka
      August 2023
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      Peter Virginas
      August 2023
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      Will DiGravio
      August 2023
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    • The Long Game: Conversations with Independent Iconoclasts Roger Corman, George A. Romero, and Charles Burnett

      Sian Mitchell
      November 2012
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    • The Rebellious and the Rigorous: The Red Years of Cahiers du cinéma (1968-1973), by Daniel Fairfax

      Tony McKibbin
      August 2023
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      Emmanuel Bonin
      August 2023
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      Holly Willis
      May 2023
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      Sam Woolfe
      May 2023
    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
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      Marc Raymond
      January 2023
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      Sian Mitchell
      May 2022
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    • Czechoslovakia’s King and Queen of Comedy: Anny Ondra and Vlasta Burian in An Old Gangster’s Molls (Svatopluk Innermann, 1927)

      Shari Kizirian
      September 2023
    • It’s About Time We All Met a Happy End (Oldřich Lipský, 1967)

      Cerise Howard
      September 2023
    • Heave Ho! (Martin Frič, 1934)

      Faith Everard
      September 2023
    • Tomorrow I’ll Wake Up and Scald Myself with Tea (Jindřich Polák, 1977)

      Danica van de Velde
      September 2023
    • The Woman Suffers: “South Australia’s greatest film production” (Raymond Longford, 1918)

      Stephen Gaunson
      September 2023
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      Darragh O’Donoghue
      September 2023
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Author Sian Mitchell

Sian Mitchell

Dr Sian Mitchell is a lecturer specialising in screen culture, film studies and media with 15 years experience in higher education.

Generational Feminisms: the 45th Festival International de Films de Femmes

Sian Mitchell
May 2023
Festival Reports
As a director of a women’s film festival here in Melbourne, the opportunity to attend the world’s oldest, still running women’s film festival – the Festival International de Films de Femmes (FIFF) – in Cretéil ...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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