Author Tony Williams

Long recognised as the pioneer of the “Kuleshov effect”, teacher of future cinematic talents such as Sergei Eisenstein (who attended Kuleshov’s Film Workshop for three months during 1922-1923), Vsevolod Pud...

Though lesser known than some of his later films, Goupi mains rouges (1943) was Jacques Becker’s second solo feature and received acclaim at the time of its appearance in Occupied France. It also became the fir...

Popularly viewed as Peckinpah’s first accomplished film following the compromised The Deadly Companions (1961), Ride the High Country (1962) has been mostly seen as the director’s farewell to the traditional We...

Le Quai des brumes (Marcel Carné, 1938) opens on a fog-swept, darkened rural road leading to the port of Le Havre. A truck driver narrowly avoids crashing into the hitchhiking figure of colonial Army deserter J...

Celebrated as the first non-Mainland Chinese film to win an award at the Cannes Film Festival (in 1975), and released during the peak of contemporary Western fascination with the martial arts genre epitomised b...

Viewing The Big Parade 88 years after its initial release, and 25 years following its inclusion in my upper-level course on the war film, elicited complex feelings. On the one hand, although the film still stan...

Due to conflict and an eventual breach over the making of Night Passage (James Neilson, 1957), The Man From Laramie (1955) became the final collaboration between Anthony Mann and James Stewart whose association...

Long recognised as the pioneer of the “Kuleshov effect”, teacher of future cinematic talents such as Sergei Eisenstein (who attended Kuleshov’s Film Workshop for three months during 1922-1923), Vsevolod Pud...

As Alan Williams notes, “Le Corbeau is an essential work for world film history, if only because its meanings are still being debated” (1). Filmed during the Occupation by the German controlled Continental Film...

Dai yat lai aau him (Dangerous Encounters of the First Kind/Dangerous Encounters – 1st Kind) was the third film directed by Tsui Hark. Following his stylish first feature, Die bian (The Butterfly Murders, 1979)...

Winner of many awards at national and international film festivals and the subject of several articles and one monograph – by Mette Hjort – in Hong Kong University Press’ New Hong Kong Cinema Series, Yuen Ling-...