The Narrative Cracks: Emotion in Robert Bresson Bill Mousoulis January 2000 Robert Bresson - A Tribute Bresson's cinema has been caricatured as "flat" - this author suggests that Bresson's films explode with emotion.
Chilli in Your Eyes: La Pasión According to Ximena Cuevas Sergio de la Mora January 2000 Feature Articles A fabulous portrait of, and interview with, Mexican video artist Ximena Cuevas.
We’ll always have Paris? Fighting the People’s War in Popular Memory Tara Brabazon January 2000 Feature Articles An analysis of Casablanca, with reference to the complex interrelations between film, popular memory and the representation of history.
Bresson: Destinies Making Themselves in a Work of Hands – Second Part M. C. Zenner January 2000 Robert Bresson - A Tribute The Second Part of M. C. Zenner's major analysis of the work of Bresson.
Welcome to the second issue of Senses of Cinema the editors January 2000 Editorial One of our aims is to realise and utilize the potential of an online journal to function in an international arena, to engage with an audience of international proportions and publish articles from around the g...
Is Your Film Language Greek? Some Thoughts on Greek-Australian Film-makers Bill Mousoulis December 1999 Australian Cinema An overview and discussion of the work of Greek-Australian film-makers, and whether the voice they speak with is inherently, deeply Hellenic.
A Top Ten List John Conomos December 1999 Feature Articles A cinephile's musings on the impossible task of nominating 10 films as the best of all time.
Postcolonial Cinema: Chocolat Fiona Villella December 1999 French Cinema A postcolonial reading of Claire Denis' Chocolat.
More than Meets the Eye: The Mediation of Affects in Jane Campion’s Sweetie Sue Gillett December 1999 Feature Articles An intriguing and sensitive discussion of Jane Campion's Sweetie (1989) that blends a personal, affective reading (specified as gender-based) with critical analysis in order to arrive at an understanding of the very complex way in which Campion's films address the viewer as female.
Bresson: Destinies Making Themselves in a Work of Hands – First Part M. C. Zenner December 1999 French Cinema Part One of a major analysis of the work of perhaps cinema's most singular film director, Robert Bresson. In a dense, thorough and sharp way, the author challenges conventional readings of this film-maker's work.
L’Armeé des Ombres Adrian Danks December 1999 French Cinema A poetic homage to this unique Resistance film made by Jean-Pierre Melville in 1969.
Interpretations of Amelia Rose Towers Lisa French December 1999 Australian Cinema An examination of a genuinely "quirky" Australian short film from a number of different angles.
Welcome to our inaugural issue! the editors December 1999 Editorial Senses of Cinema is an online film journal devoted to the serious and eclectic discussion of cinema. It has been set up to address a gap in local discourse, through facilitating and encouraging such discussion....