Engaging Medusa: Competing Myths and Fairytales in In the Cut Sue Gillett April 2004 Feature Articles In this imaginative analysis of Jane Campion's latest film, the desires and trajectories of contemporary characters are revealed to be not all that far removed from those of ancient mythology.
Just Women: Marlene Gorris’ Antonia’s Line Sue Gillett November 2001 CTEQ Annotations on Film Antonia's Line (1995 Netherlands/Belgium/UK 102mins) Source: NLA/CAC Prod Co: Antonia's Line International, Antonia's Line, A Bergen, Prime Time, Bard Entertainments, NPS Televisie Prod: Hans de Weers, G...
Angel from the Mirror City: Jane Campion’s Janet Frame Sue Gillett November 2000 Novel and Film Seeing and believing: Gillett examines female desire and spectatorship in the Frame-Campion textual relationship.
Never a Native: Deconstructing Home and Heart in Holy Smoke Sue Gillett April 2000 Australian Cinema A sensitive discussion of the heroine's complex journey in Jane Campion's latest film.
More than Meets the Eye: The Mediation of Affects in Jane Campion’s Sweetie Sue Gillett December 1999 Feature Articles An intriguing and sensitive discussion of Jane Campion's Sweetie (1989) that blends a personal, affective reading (specified as gender-based) with critical analysis in order to arrive at an understanding of the very complex way in which Campion's films address the viewer as female.
