Lights! Camera! Paintbrush! Jane Mills December 2001 Film and the Other Arts Highlighting the continuum of cinema and painting.
From Objecthood to Subject Matter: Yvonne Rainer’s Transition from Dance to Film Jonathan Walley December 2001 Film and the Other Arts Exploring the complex web of Rainer's dance and film work.
Mirror, Muse, Medusa: Experiment Perilous Thomas Elsaesser December 2001 Film and the Other Arts An examination into the relations between cinema, painting, the painted portrait, and 'woman'.
Symmetry and Structure in Greenaway’s A Zed and Two Noughts Daniela Espejo December 2001 Film and the Other Arts The role of the other arts and precise plot structures in Greenaway's cinema here discussed.
Concerning Manny Farber: An Interview with Robert Walsh Noel King December 2001 Film and the Other Arts Walsh talks freely about his discovery of the paintings and criticism of Manny Farber.
The Lady in the Frame: Two Portraits by Henry James and Jane Campion David Kelly December 2001 Film and the Other Arts A careful and thought-provoking examination of Campion's adaptation in The Portrait of a Lady.
