Jane Mills makes a number of telling observations about some shared traits between the art of maps and the cinema, and furthermore, dissects the narrative, cultural and ideological function of the many maps in Baz Luhrman’s film.
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Jane Mills
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Dr Jane Mills is Associate Professor in Communication at Charles Sturt University. Her current research interests concern screen literacy and literacy learning among school students from low socio-economic backgrounds. Her books include The Money Shot: Cinema, Sin and Censorship (Pluto, 2001) and Loving and Hating Hollywood: Reframing Global and Local Cinemas (Allen & Unwin, 2009).
Articles by Jane Mills:
The following extract of Jane Mills’ The Money Shot – Cinema, Sin and Censorship (Pluto Press Australia, 2001) is published here with the permission of Pluto Press Australia. The book is available at the recommended retail price of $AUD32.95 or at the online purchase price of $AUD29.65. For information on purchasing The Money Shot, click [...]
The following extract of Jane Mills’ The Money Shot – Cinema, Sin and Censorship (Pluto Press Australia, 2001) is published here with the permission of Pluto Press Australia. The book is available at the recommended retail price of $AUD32.95 or at the online purchase price of $AUD29.65. For information on purchasing The Money Shot, click [...]
The following extract of Jane Mills’ The Money Shot – Cinema, Sin and Censorship (Pluto Press Australia, 2001) is published here with the permission of Pluto Press Australia. The book is available at the recommended retail price of $AUD32.95 or at the online purchase price of $AUD29.65. For information on purchasing The Money Shot, click [...]
