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    • Ethics in the Immersive Documentary

      Jane Mills
      December 2013
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      My Un-queer Pusan: Or How I Got into an Argument with The Unforgiven: The 10th Pusan International Film Festival

      Jane Mills
      February 2006
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      European Cinema: Face to Face with Hollywood by Thomas Elsaesser

      Jane Mills
      July 2006
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
    • Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      Jane Mills
      November 2012
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      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
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      Jane Mills
      May 2002
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Jane Mills

Jane Mills

Dr Jane Mills is Associate Professor in Communication at Charles Sturt University. Her current research interests concern screen literacy and literacy learning among school students from low socio-economic backgrounds. Her books include The Money Shot: Cinema, Sin and Censorship (Pluto, 2001) and Loving and Hating Hollywood: Reframing Global and Local Cinemas (Allen & Unwin, 2009).

Mapping Australia: Cinematic Cartographies of (Dis)location

Jane Mills
July 2010
Feature Articles
Jane Mills makes a number of telling observations about some shared traits between the art of maps and the cinema, and furthermore, dissects the narrative, cultural and ideological function of the many maps in Baz Luhrman’s film.
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Lights! Camera! Paintbrush!

Jane Mills
December 2001
Film and the Other Arts
Highlighting the continuum of cinema and painting.
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Extract of The Money Shot: Introduction

Jane Mills
November 2001
Australian Cinema, Culture & Criticism
The following extract of Jane Mills' The Money Shot – Cinema, Sin and Censorship (Pluto Press Australia, 2001) is published here with the permission of Pluto Press Australia. The book is available at the re...
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Extract of The Money Shot: Chapter Three: “When You Wish Upon a Star”

Jane Mills
November 2001
Australian Cinema, Culture & Criticism
The following extract of Jane Mills' The Money Shot – Cinema, Sin and Censorship (Pluto Press Australia, 2001) is published here with the permission of Pluto Press Australia. The book is available at the re...
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Extract of The Money Shot: Chapter Eight: “Time Out from the Democratic Process”

Jane Mills
November 2001
Australian Cinema, Culture & Criticism
The following extract of Jane Mills' The Money Shot – Cinema, Sin and Censorship (Pluto Press Australia, 2001) is published here with the permission of Pluto Press Australia. The book is available at the re...

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