The Adaptation and the Remake: From John M. Stahl’s When Tomorrow Comes to Douglas Sirk’s Interlude Tom Ryan March 2014 Feature Articles Raising Cain: Setting the Record Straight Douglas Sirk shot Interlude in 1956, between Battle Hymn and The Tarnished Angels. Starring June Allyson and Rossano Brazzi and implicitly acknowledged in the credits ...
The Filmmaker as Adaptor: Fred Schepisi Takes on Patrick White in The Eye of the Storm Brian McFarlane October 2011 Fred Schepisi Dossier It needs real nerve to come out of a film based on a famous novel and declare unreservedly that you enjoyed the film much more than the book. I mean, books came first. Literature, as a study, preceded film by d...
Nick’s “I”/Nick’s Eye: Why they couldn’t film Gatsby Bruce Jackson September 2009 Feature Articles In the light of Baz Luhrmann’s announcement that he intends to bring The Great Gatsby to the screen once again, Bruce Jackson looks at the failures already at hand and offers some salient advice about why F. Scott Fitzgerald’s novel is so resistant to successful screen adaptation.
On the Subjective Æsthetic of Adrian Lyne’s Lolita Michael Da Silva September 2009 Feature Articles Though much derided on its release, Michael Da Silva provides an insightful analysis of the æsthetic logic that informs Lyne’s adaptation of Vladimir Nabokov’s infamous classic.
