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  • Dossiers
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    • The Illusionist

      Tina Kaufman
      October 2010
      Feature Articles
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    • A Face in the Crowd: Ritual, Mythological and Political contexts in Stranger and the Fog

      Amir Hossein Siadat
      November 2023
    • Consensus Empire: Empowering the Spectator through Letterboxd Reviews

      Tyler Thier
      November 2023
    • We Can’t Save The Victims: Hauntology in Tony Scott’s Déjà Vu

      Aryan Tauqeer Khawaja
      November 2023
    • Situating Lucile Hadžihalilović’s Good Boys Use Condoms

      Oliver Kenny
      November 2023
    • Songs of Joy and Melancholy: On My Darling in Stirling

      Frankie Kanatas
      November 2023
    • Film Criticism and the Grotesque: A Very American Tár & an Oz Elvis

      Laleen Jayamanne
      August 2023
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      Tina Kaufman
      November 2023
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    • An Interview with Delphine Girard

      Gary M. Kramer
      November 2023
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      Mike Hoolboom
      November 2023
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      Amanda Barbour
      November 2023
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      Öykü Sofuoğlu
      November 2023
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      Jaimey Fisher & Gerd Gemünden
      November 2023
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      Gary M. Kramer
      November 2023
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      Tina Kaufman
      April 2004
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      Deborah Allison
      November 2023
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      Jeremy Carr
      November 2023
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      Jeremy Carr
      May 2023
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      Benjamin Kooyman
      May 2023
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
      January 2023
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      Tina Kaufman
      May 2022
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      Gabrielle Stecher
      November 2023
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      Eloise Ross
      August 2023
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      Wheeler Winston Dixon
      May 2023
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
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      A Model Shop for Retrieved Cinema: The 27th Cinema Ritrovato

      Tina Kaufman
      September 2013
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      Xiang Fan
      November 2023
    • Amiko haunts the 23rd Nippon Connection

      Roger Macy
      November 2023
    • Notes From The 26th San Francisco Silent Film Festival

      Jonathan Mackris
      November 2023
    • Magnetizing and still Putting on Weight – the 37th Il Cinema Ritrovato

      Roger Macy
      November 2023
    • Dealing with the past, and present, at the 29th Sarajevo Film Festival

      Randy Malamud
      November 2023
    • 76th Locarno Film Festival: Culture on the Edge, Tumbling Into Futures Unknown

      Jaimey Fisher
      November 2023
  • Book Reviews
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    • Scorsese Missing In Action: Martin Scorsese’s America by Ellis Cashmore Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars by Thomas R. Lindlof

      Tina Kaufman
      April 2010
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    • Facing the Other: Keyvan Manafi’s The Eye of the Cinematograph: Levinas and Realisms of the Body

      M. Sellers Johnson
      November 2023
    • A Man of Genius Has Been Seldom Ruined But By Himself: Ethan Warren’s The Cinema of Paul Thomas Anderson

      Hannah Bonner
      November 2023
    • The Rebellious and the Rigorous: The Red Years of Cahiers du cinéma (1968-1973), by Daniel Fairfax

      Tony McKibbin
      August 2023
    • A Journey through Serge Daney’s Cinema House

      Emmanuel Bonin
      August 2023
    • Bloody, Raging Females: Five Books Examine Contemporary Feminist Horror Films

      Holly Willis
      May 2023
    • Cinematic Bottom-Feeding: Why It’s OK to Love Bad Movies, by Matthew Strohl

      Sam Woolfe
      May 2023
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      Tina Kaufman
      April 2010
      CTEQ Annotations on Film
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      Martyn Bamber
      December 2023
    • History and Oblivion: Radu Jude tells a “new” story an old way with Aferim!

      Shari Kizirian
      December 2023
    • Silver City

      Grace Boschetti
      November 2023
    • The Golden Cage: Ayten Kuyululu and Australian Cinema

      Adrian Danks
      November 2023
    • Twice a Man

      Darragh O’Donoghue
      November 2023
    • A Rainha Diaba

      Mateus Nagime
      November 2023
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Author Tina Kaufman

Tina Kaufman

Tina Kaufman was the editor of the Sydney Filmmakers Coop monthly newspaper, Filmnews for seventeen years. The newspaper covered all aspects of screen culture, policy and practice, which Tina continues to write about for various screen publications including Metro magazine and the online publication Screen Hub. A board member of the Sydney Film Festival for 25 years and a founding member of the Film Critics Circle of Australia, she is now an honorary life member of both organisations. She is also the author of Wake in Fright (Currency Press)

John Flaus Through the Pages of FilmNews

Tina Kaufman
October 2014
John Flaus Dossier
Back in the early ’60s I often went to the screenings at Sydney University’s Union Theatre, where the Sydney University Film Group programmed an interesting repertory selection, together with the occasional imp...

Albie – A Well-Directed Life

Tina Kaufman
March 2013
Albie Thoms Dossier
Albie Thoms at the Sydney Underground Film Festival One of the last things Albie Thoms did before he died late last year was organise a launch party for the book he was rushing to finish and see published. ...
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Looking Back, Looking Forward: The Sydney Film Festival at 50

Tina Kaufman
May 2003
Festival Reports
The 50th Sydney Film Festival runs from 6 to 20 June 2003. Program information and ticketing is on the website. The 'Persistence of Vision' symposium, which commemorates the Festival's 50-year anniversary, ...
article placeholder

It Can Happen Again: Urgent Enquiry Needed into Censorship

Tina Kaufman
March 2000
Censorship and Romance
An evaluation of the performance of the OFLC, and a look at Watch on Censorship's role.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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