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      A Black Pearl of the Deep: Juraj Herz’s The Cremator

      Sue Gillett
      May 2007
      Feature Articles
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    • The Experimental Propagandist: Frank Capra and the Shape of Truth

      Richard Sowada
      January 2022
    • Heil Darling: a story of lips that haven’t laughed

      Pablo Gonçalo
      January 2022
    • The Night Shift: Woman as Outlaw Hero in The Man I Love

      Rob Nixon
      January 2022
    • Smooth Digital Reveries: On Proto-Vaporwave and The Flying Luna Clipper

      Dechlan Cochran
      January 2022
    • Promising Young Woman and the cinematic renegotiation of gender in rape-revenge

      Joy McEntee
      January 2022
    • Streaming paracinema: Charles Band, Full Moon Features and auteurism on third tier SVOD services

      Andrew Lynch and Alexa Scarlata
      January 2022
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      Sue Gillett
      October 2020
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      Maja Korbecka
      January 2022
    • Leaning into the Challenge: Interview with Scattered co-creators Logan Mucha and Kate Darrigan

      Stuart Richards
      January 2022
    • “The cinema remains alive when it is diverse”: Interview with Jean-Gabriel Périot

      Daniel Fairfax
      January 2022
    • Do you feel lonely standing here? A conversation with Na Jiazuo

      Łukasz Mańkowski
      January 2022
    • A Joyride through Technological Change: Interview with David Cox

      Dirk de Bruyn
      January 2022
    • Sunken Film: Bill Morrison Talks The Village Detective: a song cycle

      Andrew Northrop
      July 2021
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      Sue Gillett
      April 2005
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
      January 2022
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      Charles Fairbanks
      January 2022
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      Dan Golding
      July 2021
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      Jeremy Carr
      July 2021
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      Hal Young
      May 2021
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      Between Chez Papy’s and Donut Time: The 6th La Roche-Sur-Yon International Film Festival

      Sue Gillett
      December 2015
      Festival Reports
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    • Thessaloniki International Film Festival: Rewriting the Rules of the Game

      Maria Giovanna Vagenas
      February 2022
    • The Pivot to Asia: The 34th Tokyo International Film Festival

      Kohei Usuda
      February 2022
    • Come Together: The 59th Viennale

      Leonardo Goi
      January 2022
    • From White Clouds, Wild Delights: The 18th Golden Apricot Yerevan International Film Festival

      Carmen Gray
      January 2022
    • AFI FEST-AFM: The Perils of Online

      Bérénice Reynaud
      January 2022
    • Looking for Love at HitchCon 2021

      Amelia Leonard and Jacob Agius
      January 2022
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      Moved By Animation – Animation: Genre and Authorship by Paul Wells

      Sue Gillett
      July 2002
      Book Reviews
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    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
    • Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

      Joy McEntee
      May 2021
  • CTEQ
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    • Two or Three Things I Know About Her

      Sue Gillett
      February 2013
      CTEQ Annotations on Film
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    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
    • An entertainment: Fritz Lang’s Ministry of Fear (1944)

      Andréas Giannopoulos
      May 2022
    • Out of the Shadows: Cloak and Dagger (Fritz Lang, 1946)

      Ian Olney
      May 2022
    • “A pin for me ’at”: Fritz Lang’s Man Hunt (1941)

      Adrian Danks
      May 2022
    • Fritz Lang in America: While the City Sleeps (1956)

      Wheeler Winston Dixon
      May 2022
    • M (Fritz Lang, 1931)

      Digby Houghton
      May 2022
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Author Sue Gillett

Sue Gillett

Sue Gillett is the author of Views from Beyond the Mirror: The Films of Jane Campion (ATOM, 2004). She lectures in film, literature and women's studies at La Trobe University Bendigo.

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Engaging Medusa: Competing Myths and Fairytales in In the Cut

Sue Gillett
April 2004
Feature Articles
In this imaginative analysis of Jane Campion's latest film, the desires and trajectories of contemporary characters are revealed to be not all that far removed from those of ancient mythology.
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Just Women: Marlene Gorris’ Antonia’s Line

Sue Gillett
November 2001
CTEQ Annotations on Film
Antonia's Line (1995 Netherlands/Belgium/UK 102mins) Source: NLA/CAC Prod Co: Antonia's Line International, Antonia's Line, A Bergen, Prime Time, Bard Entertainments, NPS Televisie Prod: Hans de Weers, G...
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Angel from the Mirror City: Jane Campion’s Janet Frame

Sue Gillett
November 2000
Novel and Film
Seeing and believing: Gillett examines female desire and spectatorship in the Frame-Campion textual relationship.
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Never a Native: Deconstructing Home and Heart in Holy Smoke

Sue Gillett
April 2000
Australian Cinema
A sensitive discussion of the heroine's complex journey in Jane Campion's latest film.
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More than Meets the Eye: The Mediation of Affects in Jane Campion’s Sweetie

Sue Gillett
December 1999
Feature Articles
An intriguing and sensitive discussion of Jane Campion's Sweetie (1989) that blends a personal, affective reading (specified as gender-based) with critical analysis in order to arrive at an understanding of the very complex way in which Campion's films address the viewer as female.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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