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      Shane Denson
      March 2018
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Author Shane Denson

Shane Denson

Shane Denson is Associate Professor of Film and Media Studies and, by Courtesy, of German Studies and of Communication at Stanford University. He also serves as Director of the PhD Program in Modern Thought & Literature. His research interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to film, digital media, and serialized popular forms. He is the author of Discorrelated Images (Duke University Press, 2020) and Postnaturalism: Frankenstein, Film, and the Anthropotechnical Interface (Transcript- Verlag, 2014) and co-editor of several collections: Transnational Perspectives on Graphic Narratives (Bloomsbury, 2013), Digital Seriality (special issue of Eludamos: Journal for Computer Game Culture, 2014), and Post-Cinema: Theorizing 21st-Century Film (REFRAME Books, 2016). See shanedenson.com for more information.

DeepFakes and the (Un)Gendering of the Flesh

Shane Denson
January 2023
The Geometry of Movement: Computer-Generated Imagery in Film
Computer-generated imagery used to be a fairly well-defined object, compartmentalized from the indexical images of celluloid-based cinematography and even live-action videography. CGI would appear as clearly re...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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