Author Saige Walton

In a year marked by apocalyptic imagery and an eerie sense of the science-fictional, the Adelaide Film Festival’s decision to open its socially distanced festival with the world premiere of Seth Larney’s sci-fi...

The last Adelaide Film Festival under the stewardship of Artistic Director Amanda Duthie proved to be a decidedly populist affair— a programming bent that was anticipated by the Festival’s own mid-year invitati...

Paying homage to the birth year of punk rock as well as the persistence of a rebellious sensibility in the contemporary, the Adelaide Film Festival styled itself as ‘punk’ this year. “Vive Le Punk!” was the fes...

Sleepwalkers, sleepers, phantoms, psychics, spectres and memories of the dearly departed suffused the Adelaide Film Festival (AFF) this year. While festival attendees flocked to pit their trivia knowledge again...

No doubt those who are familiar with Claire Denis’ work will be well aware of how her films are invested in and expressive of the material connections that unite and divide bodies in the world. Similarly, in he...

Those familiar with French director Claire Denis will be aware of the exquisite sensuality of her cinema. Whether coming together with another body in the world through the shared space and flesh of desire, or ...

The shift towards more sensuous modes of scholarship has been producing exciting interdisciplinary work across the fields of cultural anthropology, film, art history, architecture, design and new media. At the ...

In Bedlam (Mark Robson, 1946), Val Lewton’s last production for RKO-Radio Pictures, there is a justly famous sequence in which a young boy – his body slathered in pure gold – must recite a speech for the aristo...

The original publication of Jim Kitses’ Horizons West in 1969 revealed the heavy impact of auteurism on the development of genre criticism. Thanks to the French New Wave, André Bazin and other writers affiliate...