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  • Features
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    • King Ludwig II of Bavaria: Representations in the Cinema 1920–1986

      Saige Walton
      March 2011
      Feature Articles
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
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    • Moroccan Cinema Alive: The 12th Festival National du Film, Tangier

      Saige Walton
      March 2011
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
    • Queer and Australian Features at the 2020 Adelaide Film Festival

      Stuart Richards
      January 2021
    • Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival

      Marc Raymond
      January 2021
    • Live Through This: The 2020 Adelaide Film Festival

      Saige Walton
      January 2021
    • “Sense of Place”: The 33rd Tokyo International Film Festival

      Kohei Usuda
      January 2021
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    • Towards a Single Cinephilia: On An Invention Without a Future: Essays on Cinema by James Naremore

      Saige Walton
      September 2014
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
    • Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
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      Nosferatu Eine Symphonie des Grauens)

      Saige Walton
      July 2000
      CTEQ Annotations on Film
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    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
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      Saige Walton
      April 2005
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Saige Walton

Saige Walton

Saige Walton is a Senior Lecturer in Screen Studies and Media Arts Discipline Leader (Film and Television) at the University of South Australia. She is the author of Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement (Amsterdam University Press, 2016). Her current book project deals with the embodiment and ethics of a contemporary cinema of poetry.

Live Through This: The 2020 Adelaide Film Festival

Saige Walton
January 2021
Festival Reports
In a year marked by apocalyptic imagery and an eerie sense of the science-fictional, the Adelaide Film Festival’s decision to open its socially distanced festival with the world premiere of Seth Larney’s sci-fi...

#Youmustsee: The 2018 Adelaide International Film Festival

Saige Walton
December 2018
Festival Reports
The last Adelaide Film Festival under the stewardship of Artistic Director Amanda Duthie proved to be a decidedly populist affair— a programming bent that was anticipated by the Festival’s own mid-year invitati...
Adelaide Film Festival 2017

Between the Breaths: The 2017 Adelaide Film Festival

Saige Walton
December 2017
Festival Reports
Paying homage to the birth year of punk rock as well as the persistence of a rebellious sensibility in the contemporary, the Adelaide Film Festival styled itself as ‘punk’ this year. “Vive Le Punk!” was the fes...
Adelaide film festival review

Ghostly Wanderings Between Cinema and the Gallery: 2015 Adelaide Film Festival

Saige Walton
December 2015
Festival Reports
Sleepwalkers, sleepers, phantoms, psychics, spectres and memories of the dearly departed suffused the Adelaide Film Festival (AFF) this year. While festival attendees flocked to pit their trivia knowledge again...

Gestures of Intimacy: Claire Denis’ I Can’t Sleep

Saige Walton
June 2012
CTEQ Annotations on Film
No doubt those who are familiar with Claire Denis’ work will be well aware of how her films are invested in and expressive of the material connections that unite and divide bodies in the world. Similarly, in he...
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Cinema and Sensation: French Film and the Art of Transgression by Martine Beugnet

Saige Walton
April 2009
Book Reviews
Those familiar with French director Claire Denis will be aware of the exquisite sensuality of her cinema. Whether coming together with another body in the world through the shared space and flesh of desire, or ...
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“Cinema as I see-I hear-I feel”: The Material Image: Art and the Real in Film by Brigitte Peucker

Saige Walton
November 2007
Book Reviews
The shift towards more sensuous modes of scholarship has been producing exciting interdisciplinary work across the fields of cultural anthropology, film, art history, architecture, design and new media. At the ...
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Icons of Grief: Val Lewton’s Home Front Pictures by Alexander Nemerov

Saige Walton
November 2006
Book Reviews
In Bedlam (Mark Robson, 1946), Val Lewton’s last production for RKO-Radio Pictures, there is a justly famous sequence in which a young boy – his body slathered in pure gold – must recite a speech for the aristo...
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Horizons West: Directing the Western from John Ford to Clint Eastwood by Jim Kitses

Saige Walton
February 2006
Book Reviews
The original publication of Jim Kitses’ Horizons West in 1969 revealed the heavy impact of auteurism on the development of genre criticism. Thanks to the French New Wave, André Bazin and other writers affiliate...

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