Small but Mighty, the Power of the Donkey: Adelaide International Film Festival Saige Walton January 2023 Festival Reports Dubbed a “celebration of the imagination”, AFF expanded its scope in 2022 to include new venues across the city (Her Majesty’s Theatre, the Capri Theatre Goodwood), also touring films in regional sites and loca...
Live Through This: The 2020 Adelaide Film Festival Saige Walton January 2021 Festival Reports In a year marked by apocalyptic imagery and an eerie sense of the science-fictional, the Adelaide Film Festival’s decision to open its socially distanced festival with the world premiere of Seth Larney’s sci-fi...
#Youmustsee: The 2018 Adelaide International Film Festival Saige Walton December 2018 Festival Reports The last Adelaide Film Festival under the stewardship of Artistic Director Amanda Duthie proved to be a decidedly populist affair— a programming bent that was anticipated by the Festival’s own mid-year invitati...
Between the Breaths: The 2017 Adelaide Film Festival Saige Walton December 2017 Festival Reports Paying homage to the birth year of punk rock as well as the persistence of a rebellious sensibility in the contemporary, the Adelaide Film Festival styled itself as ‘punk’ this year. “Vive Le Punk!” was the fes...
Ghostly Wanderings Between Cinema and the Gallery: 2015 Adelaide Film Festival Saige Walton December 2015 Festival Reports Sleepwalkers, sleepers, phantoms, psychics, spectres and memories of the dearly departed suffused the Adelaide Film Festival (AFF) this year. While festival attendees flocked to pit their trivia knowledge again...
Gestures of Intimacy: Claire Denis’ I Can’t Sleep Saige Walton June 2012 CTEQ Annotations on Film No doubt those who are familiar with Claire Denis’ work will be well aware of how her films are invested in and expressive of the material connections that unite and divide bodies in the world. Similarly, in he...
Cinema and Sensation: French Film and the Art of Transgression by Martine Beugnet Saige Walton April 2009 Book Reviews Those familiar with French director Claire Denis will be aware of the exquisite sensuality of her cinema. Whether coming together with another body in the world through the shared space and flesh of desire, or ...
“Cinema as I see-I hear-I feel”: The Material Image: Art and the Real in Film by Brigitte Peucker Saige Walton November 2007 Book Reviews The shift towards more sensuous modes of scholarship has been producing exciting interdisciplinary work across the fields of cultural anthropology, film, art history, architecture, design and new media. At the ...
Icons of Grief: Val Lewton’s Home Front Pictures by Alexander Nemerov Saige Walton November 2006 Book Reviews In Bedlam (Mark Robson, 1946), Val Lewton’s last production for RKO-Radio Pictures, there is a justly famous sequence in which a young boy – his body slathered in pure gold – must recite a speech for the aristo...
Horizons West: Directing the Western from John Ford to Clint Eastwood by Jim Kitses Saige Walton February 2006 Book Reviews The original publication of Jim Kitses’ Horizons West in 1969 revealed the heavy impact of auteurism on the development of genre criticism. Thanks to the French New Wave, André Bazin and other writers affiliate...