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  • Dossiers
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    • Laura: Noir of Identity and Illusion

      Rina Sherman
      February 2013
      Feature Articles
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
    • This Body Keeps the Score: the films of Saidin Salkic

      Dirk de Bruyn
      January 2023
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    • Closing the Gap Between Self and Self: A Conversation with Nina Menkes

      Rina Sherman
      May 2022
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    • Splice Here A Projected Odyssey: An Interview with Rob Murphy

      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
      January 2023
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      Toby Wu
      January 2023
    • In Search of Lost Time: An Interview with Christophe Honoré

      David A. Gerstner
      January 2023
    • Slow Fireworks: The Films of Amy Halpern

      Arindam Sen
      January 2023
    • About Time: Interview with Cyril Schäublin

      Hamed Sarrafi
      January 2023
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      Rina Sherman
      July 2013
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      Giampiero Frasca
      January 2023
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      Sherry Johnson
      January 2023
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Rina Sherman
      January 2022
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
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      Jeremy Carr
      May 2022
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      Mark Lager
      May 2022
  • Festival Reports
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    • From White Clouds, Wild Delights: The 18th Golden Apricot Yerevan International Film Festival

      Rina Sherman
      January 2022
      Festival Reports
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    • Fire Within: The 60th Viennale

      Leonardo Goi
      January 2023
    • The Kids Aren’t Alright: The 27th Busan International Film Festival

      Marc Raymond
      January 2023
    • A Report on the Exhibition Threshold (works by Dirk de Bruyn, Guy Grabowsky & Mat Hughes)

      Glenn D'Cruz
      January 2023
    • Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival

      Kohei Usuda
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
  • Book Reviews
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    • A meet and happy conversation: Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema by Catherine Wheatley

      Rina Sherman
      April 2020
      Book Reviews
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
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      Border Crossings: Placing René Clément’s La Bataille du rail

      Rina Sherman
      July 2003
      CTEQ Annotations on Film
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    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022
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Author Rina Sherman

Rina Sherman

Born in South Africa, Rina Sherman was exiled from the country and settled in France in 1984 where she has been living and working since. A classical musician by training, she worked as independent theatre actress and in television before turning to filmmaking. In 1990 she completed a doctorate with distinction at the Sorbonne, supervised by Jean Rouch. Her first novel, UITREIS, (Leaving) was published in South Africa in 1997 to critical acclaim. Writer, filmmaker and anthropologist, Rina has initiated several cultural projects. She was audiovisual director for the exhibition South Africa: Music of Freedom in La Villette, 1995. That same year, she was awarded the prestigious French prize, Villa Médicis Hors les Murs that allowed her to undertake extensive research in the film archives of the Southern African region. In 1996, she organized Jean Rouch's tour of South African universities in collaboration of the French Institute in South Africa (IFAS) and the Mission for Cooperation and Cultural Services of the French Embassy in Namibia. In 1997 Rina was awarded a Lavoisier Research Bursary by the French Ministry of Foreign Affairs for the project The Ovahimba Years, a multi-disciplinary long-term research programme (drawings, oral tradition, video, film, photography) aimed at creating a living trace of Ovahimba cultural heritage. For a period of seven years, she filmed and photographed aspects of the daily and ritual lives of the Ovahimba.

The Adventure of the Real: Jean Rouch and the Craft of Ethnographic Cinema by Paul Henley

Rina Sherman
September 2013
Book Reviews
“I was trained by people who were important researchers and who were at the same time great poets.” - Jean Rouch in an interview with Enrico Fulchignoni. (1) When I read Paul Henley’s The Adventure of the Rea...

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