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      Miriam Ross
      June 2011
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      Vedant Srinivas
      May 2022
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      Peter Verstraten
      May 2022
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      Emmalea Russo
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      Alfio Leotta & Missy Molloy
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      Ricardo Vieira Lisbo
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      Caitlin Wilson
      May 2022
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      Miriam Ross
      January 2021
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      Anonymous
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      Brigitta Wagner
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      Nolan Kelly
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      Madeleine Collier
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      Miriam Ross
      December 2015
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      Sanya Osha
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      Jeremy Carr
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      Tom Cunliffe
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      Charles Fairbanks
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      Dan Golding
      July 2021
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      Miriam Ross
      May 2022
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      Joy McEntee
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      Jessica Balanzategui
      January 2022
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      Miriam Ross
      November 2012
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      Madeleine Collier
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      Tara Judah
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      Tara Judah
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      Anuj Malhotra
      May 2022
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      Marc Raymond
      May 2022
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      Maria San Filippo
      May 2022
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      Film Festivals: From European Geopolitics to Global Cinephilia by Marijke de Valck

      Miriam Ross
      July 2009
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      Kyle Barrowman
      May 2022
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      Tony McKibbin
      January 2022
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      Elroy Rosenberg
      January 2022
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      Steven Shaviro
      July 2021
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      Adrian Schober
      July 2021
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      Megan Carrigy
      July 2021
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      Modern Times: Notes Toward a Reading of Michael Haneke’s 71 Fragments of a Chronology of Chance

      Miriam Ross
      February 2005
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      Wheeler Winston Dixon
      May 2022
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      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
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      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Miriam Ross

Miriam Ross

Miriam Ross lectures in the Film Program at Victoria University of Wellington, New Zealand.

Spectacular Dimensions: 3D Dance Films

Miriam Ross
December 2011
Feature Articles
In the afterglow of Wim Wenders’ Pina, Miriam Ross looks at the re-invention of the dance film in the 3D era.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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