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    • To Accept the Unacceptable: Reflections on Three Films by Teresa Villaverde

      Mary M. Wiles
      December 2012
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      Tara Lomax
      October 2022
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      Mark Freeman & Eloise Ross
      October 2022
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      Joy McEntee
      October 2022
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      Salvador Carrasco
      October 2022
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      Anthony McKibbin
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      Selen Ozturk
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      Mary M. Wiles
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      Maja Korbecka
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      Savina Petkova
      May 2022
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      Victor Paz
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      Mary M. Wiles
      July 2009
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      Jeremy Carr
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      Hal Young
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      Sara Delshad
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      Sanya Osha
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      Mary M. Wiles
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      Jacob Agius
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      Mark Lager
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      The 43rd San Francisco International Film Festival - A Report

      Mary M. Wiles
      June 2001
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      Levan Tskhovrebadze
      October 2022
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      Nolan Kelly
      October 2022
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      Andrew Northrop
      October 2022
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      Susana Bessa
      October 2022
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      Jaimey Fisher
      October 2022
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      Eloise Ross
      October 2022
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      Sensations of Cinema: Deleuze, Altered States and Film by Anna Powell

      Mary M. Wiles
      November 2007
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      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
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      Tony McKibbin
      January 2022
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      Elroy Rosenberg
      January 2022
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      Mary M. Wiles
      December 2009
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      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022
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more articles... more articles... more articles... more articles... more articles...

Author Mary M. Wiles

Mary M. Wiles

Mary M. Wiles lectures in the Cinema Studies Program at the University of Canterbury, New Zealand.

Jacques Rivette Hurlevent

From the Brontëan Text to the Tableaux: Jacques Rivette’s Hurlevent

Mary M. Wiles
July 2016
Jacques Rivette
After having completed the final cut of L’amour par terre in late 1983, Jacques Rivette was at liberty to attend the retrospective exhibition devoted to the work of artist and theatre decorator Balthus (Balthas...

L’amour fou: A Revolution in Realism, Reflexivity, and Oneiric Reverie

Mary M. Wiles
December 2011
Feature Articles
An excerpt on one of the masterpieces of 6os cinema from Mary Wiles' forthcoming book on Jacques Rivette, published by Illinois University Press.

“A Gentle Voice in a Noisy Room”: An Interview with New Zealand Filmmaker Gaylene Preston

Mary M. Wiles
October 2010
Feature Articles
Attentive to oral histories, Gaylene Preston has fashioned a distinctive body of work over the course of decades, inclusive of her most recent film Home by Christmas, a companion piece to her 1995 documentary War Stories Our Mothers Never Told Us.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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