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      A Film Culture Forum

      Mary M. Wiles
      July 2002
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Mary M. Wiles
      January 2022
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
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      Đăng Tùng Bạch
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
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      Gary M. Kramer
      July 2026
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      Mary M. Wiles
      October 2010
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Mary M. Wiles
      May 2022
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      Tony Williams
      May 2026
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      Andy Hageman
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      Indigo Bailey
      November 2025
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      Colette de Castro
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      Despite (or With) the Politics… Work-Life and -Love Balances: The 68th Locarno Film Festival

      Mary M. Wiles
      September 2015
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      Marc Raymond
      July 2026
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      Daichi Ogi
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      Susana Bessa
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Concrete Passages: Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement, by Saige Walton

      Mary M. Wiles
      March 2017
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
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      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      Miklós Jancsó’s The Confrontation (1969)

      Mary M. Wiles
      September 2015
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      Shari Kizirian
      October 2026
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      Daniel Phuoc Wilson
      October 2026
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      Brad Weismann
      October 2026
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      Austin Lancaster
      October 2026
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      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
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more articles... more articles... more articles... more articles... more articles...

Author Mary M. Wiles

Mary M. Wiles

Mary M. Wiles lectures in the Cinema Studies Program at the University of Canterbury, New Zealand.

Jacques Rivette Hurlevent

From the Brontëan Text to the Tableaux: Jacques Rivette’s Hurlevent

Mary M. Wiles
July 2016
Jacques Rivette
After having completed the final cut of L’amour par terre in late 1983, Jacques Rivette was at liberty to attend the retrospective exhibition devoted to the work of artist and theatre decorator Balthus (Balthas...

L’amour fou: A Revolution in Realism, Reflexivity, and Oneiric Reverie

Mary M. Wiles
December 2011
Feature Articles
An excerpt on one of the masterpieces of 6os cinema from Mary Wiles' forthcoming book on Jacques Rivette, published by Illinois University Press.

“A Gentle Voice in a Noisy Room”: An Interview with New Zealand Filmmaker Gaylene Preston

Mary M. Wiles
October 2010
Feature Articles
Attentive to oral histories, Gaylene Preston has fashioned a distinctive body of work over the course of decades, inclusive of her most recent film Home by Christmas, a companion piece to her 1995 documentary War Stories Our Mothers Never Told Us.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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