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      Cinema and Embodied Affect

      Luc Moullet
      March 2003
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      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
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      Dirk de Bruyn
      January 2023
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    • Genre, Women and the Romantic Comedy: An Interview with Elizabeth Sankey

      Luc Moullet
      March 2019
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
      January 2023
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      Toby Wu
      January 2023
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      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      Hamed Sarrafi
      January 2023
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      Luc Moullet
      January 2003
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
      January 2023
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Luc Moullet
      May 2022
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      May 2022
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      Jeremy Carr
      May 2022
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      Jessica Balanzategui
      January 2022
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      Luc Moullet
      March 2019
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      Leonardo Goi
      January 2023
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      Glenn D'Cruz
      January 2023
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      Kohei Usuda
      January 2023
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      Marc Raymond
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
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      Saige Walton
      January 2023
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      A Hundred Years of Japanese Film: A Concise History, with a Selective Guide to Videos and DVDs by Donald Richie

      Luc Moullet
      May 2002
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
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      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
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      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
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      Place de l’Etoile

      Luc Moullet
      April 2005
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      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022
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Author Luc Moullet

Luc Moullet

Luc Moullet is a noted filmmaker of the French New Wave and long-time critic for Cahiers du cinéma. His titles include Brigitte et Brigitte (1966) and Anatomie d’un Rapport (1975), both of which appear on the Blaq out box set, The Luc Moullet Collection (Facets Video).

Eric Rohmer’s Place de l’Étoile

Luc Moullet
April 2010
Eric Rohmer Dossier, Feature Articles, Special Dossiers
Fellow critic and filmmaker Luc Moullet gives due consideration to Rohmer’s sketch in Paris vu par… highlighting its fidelity to location.
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The House or the Chaos

Luc Moullet
March 2008
Special Dossiers, The New Wave Remembered: Focus on Charles Bitsch
An elegant essay in praise of Bitsch’s films, written by fellow Cahiers du Cinéma critic and French New Wave director Luc Moullet.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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