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      Lindsay Hallam
      June 2018
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      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
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      Salvador Carrasco
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      Pritish Das
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      Leonard Schwartz
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      Lindsay Hallam
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      Susana Bessa
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      Stefan Solomon
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      Maja Korbecka
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      Botagoz Koilybayeva
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      Lindsay Hallam
      March 2014
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      Mark Seton
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      Ragib Rahman
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      Jiahan Olivia Lin
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      Wheeler Winston Dixon
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      Scott Robinson
      May 2026
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      Lindsay Hallam
      March 2003
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      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
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      Darragh O’Donoghue
      September 2026
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      Kyle Sossamon
      September 2026
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      Ian Olney
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      Kristian Ramsden
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Author Lindsay Hallam

Lindsay Hallam

Lindsay Hallam is a Senior Lecturer in Film at the University of East London. She is the author of the book Screening the Marquis de Sade: Pleasure, Pain and the Transgressive Body in Film (McFarland 2012), and has directed the documentary Fridey at the Hydey. She has contributed to the collections Trauma, Media, Art: New Perspectives (Cambridge Scholars Publishing, 2010), Dracula's Daughters: The Female Vampire on Film (Scarecrow Press, 2013), Fragmented Nightmares: Transnational Horror Across Visual Media (Routledge, 2014), Critical Insights: Violence in Literature (Salem Press, 2014), and the journals Asian Cinema, and Journal of Italian Cinema and Media Studies.

Lynch television auteur

May the Giant Be With You: Twin Peaks Season Two, Episode One and the Television Auteur

Lindsay Hallam
July 2016
"I'll See You in 25 Years": The Return of Twin Peaks and Television Aesthetics
This paper argues for a concept of auteur television, in which the director expresses a consistency of style and theme that is similar to their other work, using David Lynch and Twin Peaks as a case study. This...
article placeholder

Whips and Bodies: The Sadean Cinematic Text

Lindsay Hallam
February 2004
Perversion
Hallam examines the paradigms of sadism and masochism and traces their dramatisation in cinema.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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