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    • Cinematic Modalities: Beyond the Boundaries of Frame, Image and Sound in Mommy and The Lighthouse

      Jonathan Wright
      August 2024
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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      Jonathan Wright
      May 2023
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    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Jonathan Wright
      March 2003
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Jonathan Wright
      January 2022
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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    • Uncomfortably at Home: German Films at the 64th Berlinale

      Jonathan Wright
      March 2014
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      The Film Minister – Goebbels and the Cinema in the ‘Third Reich’ by Felix Moeller

      Jonathan Wright
      July 2002
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    • Feeling the Screen Story’s Pulse: Karen Peralman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      Dragnet Girl (Hijosen no onna)

      Jonathan Wright
      July 2004
      CTEQ Annotations on Film
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      Gregory Bennett
      August 2026
    • Porno, Disco, and Summer of Sam: Spike Lee on Sexuality

      Desirae Embree
      July 2026
    • 4 Little Girls

      Darragh O’Donoghue
      July 2026
    • A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

      Sandra E. Lim
      July 2026
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      Michael Green
      July 2026
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      Sebastian Carrasco
      July 2026
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Author Jonathan Wright

Jonathan Wright

Jonathan Wright is an independent learner and musician based in Chicago. His research interests are in film philosophy, especially the study of the image in relation to phenomenological viewing, memory, and projection. His current study is on the ontology of recorded music. In 2016, Jonathan founded and directed the Undergraduate Lecture Series in the Humanities at Wheaton College, a platform for students to formally present research to their peers.

Thinking Back, Thinking Forward: Utopian Television: Rossellini, Watkins, and Godard Beyond Cinema, by Michael Cramer

Jonathan Wright
March 2018
Book Reviews
Michael Cramer’s new book, Utopian Television, is an impressively constructed work of scholarship that does more than display certain utopian trends in its three subjects; it traces a discursive movement of uto...
Encounters with Godard

Entering the Chiastic Multimedia: Encounters with Godard: Ethics, Aesthetics, Politics, by James S. Williams

Jonathan Wright
December 2016
Book Reviews
Much of Jean-Luc Godard’s most innovative intriguing work occurred after his period of militant Marxism in the late 1960s. Although far fewer of his “late period” films garnered the societal and critical acclai...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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