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  • Features
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      “When men, even unknowingly, …”: Quién sabe?, Love is Colder than Death, Le Cercle rouge: The Buddy Movie Becomes Romance

      Hugo Emmerzael
      May 2008
      Feature Articles
    Recent
    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
  • Festival Reports
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      3rd Annual Melbourne Underground Film Festival: A Report

      Hugo Emmerzael
      October 2002
      Festival Reports
    Recent
    • Dreaming of the Mountains: The 9th Dharamshala International Film Festival

      Sucheta Chakraborty
      January 2021
    • Ghost Cities: The 58th Viennale

      Leonardo Goi
      January 2021
    • Queer and Australian Features at the 2020 Adelaide Film Festival

      Stuart Richards
      January 2021
    • Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival

      Marc Raymond
      January 2021
    • Live Through This: The 2020 Adelaide Film Festival

      Saige Walton
      January 2021
    • “Sense of Place”: The 33rd Tokyo International Film Festival

      Kohei Usuda
      January 2021
  • Book Reviews
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      From London to Xanadu: Dickens and the Dream of Cinema by Grahame Smith

      Hugo Emmerzael
      April 2004
      Book Reviews
    Recent
    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
    • Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
  • CTEQ
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      Poetry in Motion: Alexander Dovzhenko’s Earth

      Hugo Emmerzael
      April 2004
      CTEQ Annotations on Film
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    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
  • Great Directors
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    • Ingram, Rex

      Hugo Emmerzael
      September 2015
      Great Directors
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    • Scott, Tony

      Jeremy Carr
      October 2020
    • Menzel, Jiří

      Brendan Black
      October 2020
    • Wise, Robert

      Adrian Schober
      April 2020
    • Fernández, Emilio “Indio”

      Abel Muñoz Hénonin
      April 2020
    • Fei Mu

      Jasper Mäkinen
      October 2019
    • Huston, John

      Bruce Jackson
      July 2019
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Author Hugo Emmerzael

Hugo Emmerzael

Hugo Emmerzael is a film critic and programmer based in Amsterdam. He is an editor of monthly independent Dutch film magazine, De Filmkrant, with other writings published in MUBI Notebook, Electric Ghost Magazine, Frame.Land, VPRO and more. Hugo works as a programmer for various arthouse theatres in the Netherlands, CinemAsia Film Festival and as the Director’s Forum curator of Netherlands Film Festival.

“Can I get an encore?” On “Numb/Encore” in Michael Mann’s Miami Vice (2006)

Hugo Emmerzael
October 2020
Pop Music in Film
Well, I've been waiting for this moment for all my life, oh Lord. -Phil Collins, “In The Air Tonight” I'm in, Boeing jets, Global Express Out the country but the Blueberry still connect. -JAY-Z, “Numb/En...

Reaching Into History: Radu Jude on Uppercase Print and The Exit of the Trains

Hugo Emmerzael
April 2020
Conversations with Filmmakers Across the Globe
When Radu Jude emerged on the film festival circuit in 2009 with his feature debut, Cea mal ferictã fatã din lume (The Happiest Girl in the World), he was closely associated with the second salvo of directors f...

Rome, Open City: A Conversation with Abel Ferrara

Hugo Emmerzael
July 2019
Interviews
Welcome to Rome, where the film provocateur behind seedy New York City classics like Ms .45 (1981), King of New York (1990) and Bad Lieutenant (1992) has taken up his residence. After a run of films and documen...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

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Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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