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    • In Memoriam: Sarah Maldoror (July 19, 1929–April 13, 2020)

      Hugo Emmerzael
      July 2020
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Hugo Emmerzael
      November 2000
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Hugo Emmerzael
      April 2005
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Hugo Emmerzael
      May 2025
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Mark Lager
      November 2024
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    • The Essentials of Narrative: The 51st New York Film Festival

      Hugo Emmerzael
      December 2013
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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    • Flowering Blood: The Cinema of Takeshi Kitano, by Sean Redmond

      Hugo Emmerzael
      March 2014
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      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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    • Schloss Vogelöd (The Haunted Castle, F.W. Murnau, 1921)

      Hugo Emmerzael
      October 2003
      CTEQ Annotations on Film
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    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
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      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
    • The Faces of Mario Bava’s Black Sabbath

      Kristian Ramsden
      September 2026
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Author Hugo Emmerzael

Hugo Emmerzael

Hugo Emmerzael is a film critic and programmer based in Amsterdam. He is an editor of monthly independent Dutch film magazine, De Filmkrant, with other writings published in MUBI Notebook, Electric Ghost Magazine, Frame.Land, VPRO and more. Hugo works as a programmer for various arthouse theatres in the Netherlands, CinemAsia Film Festival and as the Director’s Forum curator of Netherlands Film Festival.

“Can I get an encore?” On “Numb/Encore” in Michael Mann’s Miami Vice (2006)

Hugo Emmerzael
October 2020
Pop Music in Film
Well, I've been waiting for this moment for all my life, oh Lord. -Phil Collins, “In The Air Tonight” I'm in, Boeing jets, Global Express Out the country but the Blueberry still connect. -JAY-Z, “Numb/En...

Reaching Into History: Radu Jude on Uppercase Print and The Exit of the Trains

Hugo Emmerzael
April 2020
Conversations with Filmmakers Across the Globe
When Radu Jude emerged on the film festival circuit in 2009 with his feature debut, Cea mal ferictã fatã din lume (The Happiest Girl in the World), he was closely associated with the second salvo of directors f...

Rome, Open City: A Conversation with Abel Ferrara

Hugo Emmerzael
July 2019
Interviews
Welcome to Rome, where the film provocateur behind seedy New York City classics like Ms .45 (1981), King of New York (1990) and Bad Lieutenant (1992) has taken up his residence. After a run of films and documen...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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