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      Perfect Storm, Imperfect Death

      Claire Henry
      November 2006
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Claire Henry
      January 2023
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Claire Henry
      July 2019
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      Florian Zappe
      July 2026
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      Patrick F. Campos
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Claire Henry
      August 2024
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      Tony Williams
      May 2026
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      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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      Explaining Mabelescence: The 3rd Amsterdam Filmmuseum Biennale

      Claire Henry
      August 2007
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Experimental Cinema in the Digital Age (BFI 2001) by Malcolm Le Grice

      Claire Henry
      March 2002
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
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      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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    • Goodbye, Dragon Inn (Tsai Ming-liang, 2003)

      Claire Henry
      May 2023
      CTEQ Annotations on Film
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      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
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      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
    • The Faces of Mario Bava’s Black Sabbath

      Kristian Ramsden
      September 2026
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Author Claire Henry

Claire Henry

Claire Henry is Senior Lecturer and Discipline Lead in Screen at Flinders University. She is co-author of Screening the Posthuman (with Missy Molloy and Pansy Duncan, Oxford University Press, 2023) and author of Eraserhead (BFI Film Classics, Bloomsbury, 2023) and Revisionist Rape-Revenge: Redefining a Film Genre (Palgrave Macmillan, 2014).

Play with Man Ray: Human-canine intra-action in William Wegman’s video art

Claire Henry
May 2024
Film and the Nonhuman
During the 1970s, American artist William Wegman created seven reels of short video works including many created in collaboration with his canine companion, Man Ray. Distinctive from both other artists’ use of ...

The swash of the Trans New Wave

Claire Henry
October 2019
This is what defined cinema in the 2010s
Tristan Taormino heralded ‘The New Wave of Trans Cinema’ in a 2008 column, highlighting the emergence of ‘docu-porn’ created by, for, and about trans men, and categorising them as films that ‘break down seeming...
Querelle

The Betrayals of Rainer Werner Fassbinder’s Querelle (1982)

Claire Henry
March 2016
CTEQ Annotations on Film
“Anyone who hasn't experienced the ecstasy of betrayal knows nothing of ecstasy at all.” – Jean Genet, Prisoner of Love (1986) Querelle was Rainer Werner Fassbinder’s final film, shot only a few months before...

Rape in Art Cinema edited by Dominique Russell

Claire Henry
September 2012
Book Reviews
The representation of rape is a fascinating site for exploring a range of ethical and political issues in cinema studies. Sexual violence on screen has been explored in relation to ‘low cultural’ forms such as ...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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