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    • Reasoned Arguments: A Conversation with Frederick Wiseman about At Berkeley

      Charalampos Goyios
      December 2013
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      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
      January 2023
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      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
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      Dirk de Bruyn
      January 2023
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      Charalampos Goyios
      March 2019
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
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      Toby Wu
      January 2023
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      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      Hamed Sarrafi
      January 2023
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      Charalampos Goyios
      July 2016
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
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      Jeremy Carr
      October 2022
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      Hal Young
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Charalampos Goyios
      January 2022
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      Jacob Agius
      October 2022
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      Social Engagement: The 21st St Kilda Film Festival

      Charalampos Goyios
      July 2004
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      Leonardo Goi
      January 2023
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      Marc Raymond
      January 2023
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      Glenn D'Cruz
      January 2023
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      Kohei Usuda
      January 2023
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      Tara Judah
      January 2023
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      Neil Young
      January 2023
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      Charalampos Goyios
      September 2012
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
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      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
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    • Creating light, sharing concern: Little Women (Gillian Armstrong, 1994)

      Charalampos Goyios
      April 2020
      CTEQ Annotations on Film
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      Emma Fajgenbaum
      March 2023
    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
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Author Charalampos Goyios

Charalampos Goyios

Charalampos Goyios is a composer and musicologist. His works include Little Red Riding Hood and the (good) wolf (1998) and the opera, Damage (2004), after the novel by Josephine Hart. He lives and works in Athens.

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Living Life as an Opera Lover: On the Uses of Opera as Musical Accompaniment in Woody Allen’s Match Point

Charalampos Goyios
July 2006
Feature Articles
Composer and musicologist Charalampos Goyios provides an insightful analysis of opera as dramatic form in Allen’s recent film.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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