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    • Astro Noise: Unsettling Encounters, or The Finer Points of Whistle Blowing

      Carla Marcantonio
      December 2014
      Feature Articles
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    • The Experimental Propagandist: Frank Capra and the Shape of Truth

      Richard Sowada
      January 2022
    • Heil Darling: a story of lips that haven’t laughed

      Pablo Gonçalo
      January 2022
    • The Night Shift: Woman as Outlaw Hero in The Man I Love

      Rob Nixon
      January 2022
    • Smooth Digital Reveries: On Proto-Vaporwave and The Flying Luna Clipper

      Dechlan Cochran
      January 2022
    • Promising Young Woman and the cinematic renegotiation of gender in rape-revenge

      Joy McEntee
      January 2022
    • Streaming paracinema: Charles Band, Full Moon Features and auteurism on third tier SVOD services

      Andrew Lynch and Alexa Scarlata
      January 2022
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    • An Interview with the late Monte Hellman (1929-2021)

      Carla Marcantonio
      July 2021
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    • Pom Bunsermvicha interview: “Being part of a family“

      Maja Korbecka
      January 2022
    • Leaning into the Challenge: Interview with Scattered co-creators Logan Mucha and Kate Darrigan

      Stuart Richards
      January 2022
    • “The cinema remains alive when it is diverse”: Interview with Jean-Gabriel Périot

      Daniel Fairfax
      January 2022
    • Do you feel lonely standing here? A conversation with Na Jiazuo

      Łukasz Mańkowski
      January 2022
    • A Joyride through Technological Change: Interview with David Cox

      Dirk de Bruyn
      January 2022
    • Sunken Film: Bill Morrison Talks The Village Detective: a song cycle

      Andrew Northrop
      July 2021
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      Carla Marcantonio
      July 2003
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
      January 2022
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      Charles Fairbanks
      January 2022
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      Dan Golding
      July 2021
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      Jeremy Carr
      July 2021
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      Hal Young
      May 2021
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      Retrieving the Cinema’s Past: Il Cinema Ritrovato XXXth Edition

      Carla Marcantonio
      September 2016
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    • Thessaloniki International Film Festival: Rewriting the Rules of the Game

      Maria Giovanna Vagenas
      February 2022
    • The Pivot to Asia: The 34th Tokyo International Film Festival

      Kohei Usuda
      February 2022
    • Come Together: The 59th Viennale

      Leonardo Goi
      January 2022
    • From White Clouds, Wild Delights: The 18th Golden Apricot Yerevan International Film Festival

      Carmen Gray
      January 2022
    • AFI FEST-AFM: The Perils of Online

      Bérénice Reynaud
      January 2022
    • Looking for Love at HitchCon 2021

      Amelia Leonard and Jacob Agius
      January 2022
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      Screen Theorizing Today: A Celebration of Screen’s Fiftieth Anniversary edited by Annette Kuhn

      Carla Marcantonio
      July 2010
      Book Reviews
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    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
    • Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

      Joy McEntee
      May 2021
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    • Liebelei (Max Ophuls, 1933)

      Carla Marcantonio
      May 2006
      CTEQ Annotations on Film
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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more articles... more articles... more articles... more articles... more articles...

Author Carla Marcantonio

Carla Marcantonio

Carla Marcantonio is an Assistant Professor of Film and Media Studies at George Mason University.

In the Mood for Love

Carla Marcantonio
October 2010
CTEQ Annotations on Film
I would like to start at the end: Fa yeung nin wa’s (In the Mood for Love) male lead, Chow Mo-wan (Tony Leung Chiu Wai), whispers a secret into a hole in one of the stone walls of the ruins of Angkor Wat in Cam...
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The Straight Story

Carla Marcantonio
July 2006
CTEQ Annotations on Film
The Straight Story (1999 USA/France/UK 111 mins) Prod Co: Asymmetrical Productions/Canal +/Channel Four Films/CiBy 2000/Les Films Alain Sarde/The Picture Factory/The Straight Story Inc./Walt Disney Pictu...
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Letter from an Unknown Woman

Carla Marcantonio
May 2006
CTEQ Annotations on Film
Letter from an Unknown Woman (1948 USA 90 mins) Source: Prod Co: Rampart Productions/Universal International Prod: John Houseman Dir: Max Ophuls Scr: Howard Koch, based on the novella by Stephan Zweig P...
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The Flower of My Secret

Carla Marcantonio
April 2005
CTEQ Annotations on Film
The Flower of My Secret/La Flor de mi secreto (1995 Spain 103 mins) Source: ACMI Collections Prod Co: CiBy 2000/El Deseo S.A. Prod: Esther Carcía Dir, Scr: Pedro Almodóvar Phot: Affonso Beato Ed: José Sa...

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