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    • The Hired Hand: Peter Fonda’s Mystical, Poetic Western 50 Years Later

      David Melville
      January 2022
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      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
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      Jens Andermann
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      Đăng Tùng Bạch
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
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      David Melville
      January 2003
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      Patrick F. Campos
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      January 2026
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      Ashish Dwivedi
      November 2025
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      David Melville
      May 2026
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      November 2024
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      February 2012
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      Marc Raymond
      July 2026
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      Daichi Ogi
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      David Melville
      November 2012
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Wheeler Winston Dixon
      May 2026
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      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      David Melville
      May 2022
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      Austin Lancaster
      October 2026
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      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
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      Darragh O’Donoghue
      September 2026
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      Kyle Sossamon
      September 2026
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      Ian Olney
      September 2026
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Author David Melville

David Melville

David Melville teaches Film Studies and Literature for the University of Edinburgh Centre for Open Learning. He has a special interest in melodrama, fantasy fiction and the aesthetics of dreams.

The Strange Love of Martha Ivers

Open Game – Our Strange Love for Martha Ivers

David Melville
March 2016
CTEQ Annotations on Film
“You’re insane. You’re out of your mind. Me too! You see how close we are to each other?” - Kirk Douglas to Barbara Stanwyck in The Strange Love of Martha Ivers It is a dark and stormy night. The oldest and m...
L’Inhumaine film review

Remembering the Future: L’Herbier and L’Inhumaine

David Melville
September 2015
CTEQ Annotations on Film
‘On leaving the theatre one has the impression of having witnessed the birth of a new art.’- Adolf Loos What to say about a film that, ninety years on from its release, is still so far ahead of most of what ...

“Death Has No Master” – Roger Corman and The Masque of the Red Death

David Melville
May 2013
CTEQ Annotations on Film
There were delirious fancies such as the madman fashions. There were much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of what might have excited disgus...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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