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Dossiers
Features
Random
Recollections of Coproducing Two Videos by Jean-Luc Godard for Prime-Time on Télévision Suisse Romande:
Voyage à travers un film (Sauve qui peut (la vie))
(1981) and
Scénario du film Passion
(1982)
Paul Grant
July 2020
Feature Articles
Recent
Horse-People and White Voices: Neoliberalism and Race in
Sorry to Bother You
Thomas Austin
May 2023
The Exorcism of Sinister Ghosts: Saralisa Volm’s
The Silent Forest
Peter Verstraten
May 2023
Spectatorial Labour: The Political Vision of Sergei Loznitsa’s Documentaries
Santasil Mallik
May 2023
When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films:
The Other Bank
,
Tangerines
, and
Corn Island
Khatuna Maisashvili
January 2023
Values of Baz Luhrmann’s
Elvis
: A Carnival Ride
Laleen Jayamanne
January 2023
Fellini’s Memory:
Amarcord
Bruce Jackson
January 2023
Interviews
Random
The Plains
: Conversation with David Easteal
Paul Grant
July 2022
Interviews
Recent
Here
: An Interview with Bas Devos
Maria Giovanna Vagenas
May 2023
A Different Kind of Love Story: An Interview with Dustin Guy Defa
Brigitta Wagner
May 2023
Family as a Film Collective: An interview with Huang Ji and Ryûji Otsuka
Maja Korbecka
May 2023
Biting comedy: An Interview with Japanese director Hyûga Fumiari
Purple Romero
May 2023
When in Love, Make a Film: Interview with Alexandre O. Philippe
Hamed Sarrafi
May 2023
“I Needed to See Light”: An Interview with Tatiana Huezo
Silvia Spitta & Gerd Gemünden
May 2023
Great Directors
Random
Obomsawin, Alanis
Paul Grant
October 2002
Great Directors
Recent
Thompson, J. Lee
Jeremy Carr
May 2023
Beresford, Bruce
Benjamin Kooyman
May 2023
Fosse, Bob
Sherry Johnson
January 2023
Cimino, Michael
Giampiero Frasca
January 2023
Sorrentino, Paolo
Jeremy Carr
October 2022
Craven, Wes
Hal Young
October 2022
Great Actors
Random
Cage, Nicolas
Paul Grant
January 2022
Great Actors
Recent
Bogart, Humphrey
Wheeler Winston Dixon
May 2023
Divine
Jacob Agius
October 2022
Lansbury, Angela
Joy McEntee
May 2022
Caine, Michael
Wheeler Winston Dixon
May 2022
Garbo, Greta
Jeremy Carr
May 2022
Magee, Patrick
Mark Lager
May 2022
Festival Reports
Random
Daily Reports from the 53rd Melbourne International Film Festival
Paul Grant
July 2004
Festival Reports
Recent
Generational Feminisms: the 45th Festival International de Films de Femmes
Sian Mitchell
May 2023
GoEast: the 23rd Festival of Central and Eastern European Film
Carmen Gray
May 2023
CPH:DOX 2023: At World’s End
Will DiGravio
May 2023
Punto de Vista 2023: Dust No Longer Clouds Our Eyes
Jay Kuehner
May 2023
All the world’s a stage IFFR Critics’ Choice 9: PLAY
Tara Judah
May 2023
Sundance 2023 – Hybridity and Transgressive Heroes
Bérénice Reynaud
May 2023
Book Reviews
Random
A School for Everyone. Alain Badiou’s
Cinema
Paul Grant
September 2013
Book Reviews
Recent
Bloody, Raging Females: Five Books Examine Contemporary Feminist Horror Films
Holly Willis
May 2023
Cinematic Bottom-Feeding:
Why It’s OK to Love Bad Movies
, by Matthew Strohl
Sam Woolfe
May 2023
For a Double-Edged Theory: Christian Metz’
Essais sur la signification au cinéma
at 50
Abel Muñoz Hénonin
January 2023
Dennis Lim’s
Tale of Cinema
: A Meta-Monograph
Marc Raymond
January 2023
In search of a Global Filipino Auteur:
Sine ni Lav Diaz
, edited by Parichay Patra and Micheal Kho Lim
Pujita Guha
January 2023
Philosophy for the Blockbuster Audience:
Christopher Nolan: Filmmaker and Philosopher
, by Robbie B. H. Goh
Tom Boniface-Webb
October 2022
CTEQ
Random
La Peau douce
Paul Grant
March 2018
CTEQ Annotations on Film
Recent
Days
(Tsai Ming-liang, 2020)
Jacob Agius
May 2023
Afflictions of Pain and Desire:
The River
(Tsai Ming-liang, 1997)
Alex Williams
May 2023
The Wayward Cloud
(Tsai Ming-liang, 2005)
Amelia Leonard
May 2023
Goodbye, Dragon Inn
(Tsai Ming-liang, 2003)
Andrew Le
May 2023
The Skywalk is Gone
(Tsai Ming-liang, 2002)
Digby Houghton
May 2023
What Time is it There?
(Tsai Ming-liang, 2001)
Jessica Balanzategui
May 2023
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May 1968
A Grin Without a Cat
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Le Fond de l’air est rouge
Paul Grant
September 2009
CTEQ Annotations on Film
