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Kansas
: Towards a Rhetoric of the 1980s Farm Debt Crisis and the New Depression Film
the editors
October 2011
Feature Articles
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Laleen Jayamanne
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Horse-People and White Voices: Neoliberalism and Race in
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Thomas Austin
May 2023
The Exorcism of Sinister Ghosts: Saralisa Volm’s
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Peter Verstraten
May 2023
Spectatorial Labour: The Political Vision of Sergei Loznitsa’s Documentaries
Santasil Mallik
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When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films:
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Khatuna Maisashvili
January 2023
Interviews
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the editors
March 2019
Interviews
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Marco Abel
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The Klezmer Project
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Maria Giovanna Vagenas
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C.S. Harper
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Trenque Lauquen
Hamed Sarrafi
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Here
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A Different Kind of Love Story: An Interview with Dustin Guy Defa
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Great Directors
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Preminger, Otto
the editors
May 2002
Great Directors
Recent
Thompson, J. Lee
Jeremy Carr
May 2023
Beresford, Bruce
Benjamin Kooyman
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Fosse, Bob
Sherry Johnson
January 2023
Cimino, Michael
Giampiero Frasca
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Sorrentino, Paolo
Jeremy Carr
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Craven, Wes
Hal Young
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Great Actors
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Great Actors
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Eloise Ross
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Divine
Jacob Agius
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Lansbury, Angela
Joy McEntee
May 2022
Caine, Michael
Wheeler Winston Dixon
May 2022
Magee, Patrick
Mark Lager
May 2022
Festival Reports
Random
Spotlight on the 50th Melbourne International Film Festival: Daily Reports
the editors
July 2001
Festival Reports
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Direct Cinephilia: Play-Doc 2023
Fedor Tot
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Stardust chronicle, a report from the 69th Internationale Kurzfilmtage Oberhausen
Arindam Sen
August 2023
The 22nd Transilvania International Film Festival: Open-world Stimulations
Peter Virginas
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Maja Korbecka
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Searching for Eros: the 76th Cannes Film Festival
Savina Petkova
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Book Reviews
Random
Places in the Heart:
Where Does It Happen? John Cassavetes and Cinema at the Breaking Point
by George Kouvaros
the editors
October 2004
Book Reviews
Recent
The Rebellious and the Rigorous:
The Red Years of
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Tony McKibbin
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A Journey through Serge Daney’s
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August 2023
Bloody, Raging Females: Five Books Examine Contemporary Feminist Horror Films
Holly Willis
May 2023
Cinematic Bottom-Feeding:
Why It’s OK to Love Bad Movies
, by Matthew Strohl
Sam Woolfe
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For a Double-Edged Theory: Christian Metz’
Essais sur la signification au cinéma
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Abel Muñoz Hénonin
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Dennis Lim’s
Tale of Cinema
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Marc Raymond
January 2023
CTEQ
Random
Aelita: Queen of Mars
the editors
April 2010
CTEQ Annotations on Film
Recent
Czechoslovakia’s King and Queen of Comedy: Anny Ondra and Vlasta Burian in
An Old Gangster’s Molls
(Svatopluk Innermann, 1927)
Shari Kizirian
September 2023
It’s About Time We All Met a
Happy End
(Oldřich Lipský, 1967)
Cerise Howard
September 2023
Heave Ho!
(Martin Frič, 1934)
Faith Everard
September 2023
Tomorrow I’ll Wake Up and Scald Myself with Tea
(Jindřich Polák, 1977)
Danica van de Velde
September 2023
The Woman Suffers:
“South Australia’s greatest film production” (Raymond Longford, 1918)
Stephen Gaunson
September 2023
The Sentimental Bloke
(Raymond Longford, 1919)
Darragh O’Donoghue
September 2023
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Issue 70
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Issue 70
Issue 70
the editors
March 2014
...
