The Shape of Fear: Thoughts after The Thin Red Line Bill Schaffer July 2000 Terrence Malick Windswept waves of fear and apprehension. War like no other.
Death Comes as an End: Temporality, Domesticity and Photography in Terrence Malick’s Badlands Adrian Danks July 2000 Terrence Malick Malick's first film is full of haunting images expressing the melancholic impossibility of life.
On Malick’s Subjects Michael Filippidis July 2000 Terrence Malick A study of how the men in Malick's films always die young.
