“Well, I Wouldn’t Buy the Merchandise”: David Bowie as Postmodern Auteur Adam Trainer October 2003 Cinema and Music Can a pop star be an auteur? Focusing on David Bowie's film roles of the 1980s, this essay argues that consistent themes and techniques recur in his work across a variety of media.
Ophuls Conducting: Music and Musicality in Letter from an Unknown Woman Alexander Dhoest October 2003 Cinema and Music Music is not only a crucial formal element of Letter from an Unknown Woman, but also a suggestive metaphor for the film's artistry in general, as this detailed analysis shows.
“Do Not Forsake Me: The Ballad of High Noon” and the Rise of the Movie Theme Song Deborah Allison October 2003 Cinema and Music How the hugely successful theme song for High Noon changed musical conventions in Hollywood.
