Leary maps the vertiginous images of “totality” presented in The Matrix and its sequels.
From Voudou to the spaghetti Western: the mythic underpinnings of Stanley's Gnostic horror films.
20 years of menacing phone calls show the changing role of the world's most omnipresent communication technology.
Revealing the danger of passively trusting in those signifying authorised power, these two short horror films emphasise the agency of the viewer in producing meaning and affect.
A martyr to the cinema: Hallberg traces the meta-narrative of death and transcendence guiding Dafoe's film performances.