Thessaloniki International Film Festival: Reflexivity and Realism in the Romanian Retrospective Yaron Dahan March 2019 Festival Reports The Thessaloniki International Film Festival has long had a tradition of foregrounding Balkan cinema through its Balkan Survey. In a retrospective of Romanian films, precursors to the Romanian New Wave were sho...
Clermont-Ferrand 2017 Yaron Dahan June 2017 Festival Reports Dekalb Elementary (d. Reed Van Dyk), a huis-clos which deftly manoeuvres the politics of race and class in America, was the winner of this year’s Grand Prix at the Clermont-Ferrand International Short Film Fest...
History Politics, Form at the Woche der Kritik, Berlin Yaron Dahan March 2016 Festival Reports To bring films together into a cohesive and provocative curation is to open paths of communication between them, to build links where they had never before existed. By sharing a cinematic time/space that is a s...
Concrete Vanities: Terrence Malick’s Knight of Cups Yaron Dahan March 2015 Feature Articles Vanity is so deeply rooted in man’s heart, that a soldier, a criminal, a cook, or a porter will boast and expect to have admirers, and even philosophers want them, and even those who write against all the above...
The Berlin Critic’s Week: A Discussion with Frédéric Jaeger and Dennis Vetter Yaron Dahan March 2015 Feature Articles Feature image: Don't Go Breaking My Heart 2 (dir. Johnnie To) “The Berlinale is not the problem, but only a symptom of German film culture,” announced Frédéric Jaeger, director of Berlin’s Critics’ Week (Woche...