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    • The Cry: Cinema, Sentiment, Minnelli

      Valérie Massadian
      January 2022
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
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      Dirk de Bruyn
      January 2023
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      Valérie Massadian
      May 2022
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
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      Toby Wu
      January 2023
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      Hamed Sarrafi
      January 2023
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      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      Valérie Massadian
      July 2003
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Valérie Massadian
      May 2022
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
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      Jeremy Carr
      May 2022
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      Jessica Balanzategui
      January 2022
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      Shades of Globalisation: The 24th Sundance Film Festival

      Valérie Massadian
      April 2005
      Festival Reports
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      Leonardo Goi
      January 2023
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      Marc Raymond
      January 2023
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      Glenn D'Cruz
      January 2023
    • Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival

      Kohei Usuda
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
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    • Unrest (Grandrieux, 2017)

      An Alternative to Haptic Cinema: Philippe Grandrieux: Sonic Cinema, by Greg Hainge

      Valérie Massadian
      June 2018
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
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      “Blood and Ink”: Fuller and the Fourth Estate in Park Row

      Valérie Massadian
      February 2007
      CTEQ Annotations on Film
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    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022
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Author Valérie Massadian

Valérie Massadian

Valérie Massadian is a French-Armenian photographer and filmmaker.

Dear Cinema

Valérie Massadian
May 2021
What Will Become of Cinema? Postcards for the Future
Dear Cinema, I’m writing to you from a little stone house covered with vine, where everyday bees come to forage. When you close your eyes, can you hear their soothing buzzing sound? Can you see all the...

48.8566° N, 2.3522° E, Winter Solstice 2017

Valérie Massadian
March 2019
Valérie Massadian and the Aesthetics of Care
The real is leaders whose relationship to the world is only comprised of statistics, figures and data and have lost all sense of reality and humanity The real is when at 3 years old you ask your mother why t...

Letter to Kelyna

Valérie Massadian
March 2019
Valérie Massadian and the Aesthetics of Care
St Jean de la Forêt, July 2011 Kelyna, You don't know how to read yet, but you're learning. And as everything you do, you do it with rage. We have known each other for almost two years now. And now you'll...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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