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    • Sounds from the City in Film Noir

      Tessa Chudy
      April 2012
      Feature Articles
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    • Deleuzian Rumblings: Residue by Desire Machine Collective

      Vedant Srinivas
      May 2022
    • Acts of Faith: On Benedetta (Paul Verhoeven, 2021)

      Peter Verstraten
      May 2022
    • Fire Machines: Titane and the Pyrotechnics of Love

      Emmalea Russo
      May 2022
    • ‘Is The Power of the Dog a New Zealand film? National Identity, Genre and Jane Campion’

      Alfio Leotta & Missy Molloy
      May 2022
    • Play-Doc 2022: António Campos, a secret filmmaker

      Ricardo Vieira Lisbo
      May 2022
    • Cringing Violently: Reparative Watching, Phenomenology and Discomfort in Australian Cinema

      Caitlin Wilson
      May 2022
  • Interviews
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    • Locarno Interview: Ying Liang and his Family Tour

      Tessa Chudy
      March 2019
      Interviews
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    • “The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz

      Victor Paz
      May 2022
    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022
    • An Interview with Danny Lyon

      Anonymous
      May 2022
    • The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie

      Brigitta Wagner
      May 2022
    • Interview with Albert Birney & Kentucker Audley

      Nolan Kelly
      May 2022
    • Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation

      Madeleine Collier
      May 2022
  • Great Directors
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    • Mekas, Jonas

      Tessa Chudy
      February 2005
      Great Directors
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    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022
    • Desai, Manmohan

      Darragh O’Donoghue
      May 2022
    • Curtiz, Michael

      Jeremy Carr
      January 2022
    • Lau, Kar-leung

      Tom Cunliffe
      January 2022
    • Tahimik, Kidlat 

      Charles Fairbanks
      January 2022
    • Lucas, George

      Dan Golding
      July 2021
  • Great Actors
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    • Magee, Patrick

      Tessa Chudy
      May 2022
      Great Actors
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    • Lansbury, Angela

      Joy McEntee
      May 2022
    • Caine, Michael

      Wheeler Winston Dixon
      May 2022
    • Garbo, Greta

      Jeremy Carr
      May 2022
    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
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    • How Not to Drown at Sea: The 33rd Sundance Film Festival and the 22nd Pan African Film and Arts Festival

      Tessa Chudy
      March 2014
      Festival Reports
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    • Day by Day: IFFR 2022

      Madeleine Collier
      May 2022
    • Absence and Presence at Internationale Kurzfilmtage Oberhausen. 68.

      Tara Judah
      May 2022
    • Stuck in traffic: IFFR 2022

      Tara Judah
      May 2022
    • From Within the Umbra of History: A Few Things about the Films of Rainer Komers, Sohrab Hura and Sylvia Schedelbauer

      Anuj Malhotra
      May 2022
    • Film Goes On (?): The 23rd Jeonju International Film Festival

      Marc Raymond
      May 2022
    • 70 Years of Mountain Cinema: The 2022 Trento Film Festival

      Maria San Filippo
      May 2022
  • Book Reviews
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      The Eloquence of the Vulgar: Language, Cinema and the Politics of Culture by Colin MacCabe

      Tessa Chudy
      July 2001
      Book Reviews
    Recent
    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
  • CTEQ
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      The Bellboy

      Tessa Chudy
      May 2007
      CTEQ Annotations on Film
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Tessa Chudy

Tessa Chudy

Tessa Chudy is a postgraduate student at Southern Cross University. She has work in Cruxis 2011 Edition 6 (CRUX is recognised as the official representative body for postgraduate students). See Tessa's artwork online. Tessa won as a finalist in the inaugural Flair Book Illustration Award.

Nicole Kidman: Stardom, Performance and Persona

Tessa Chudy
March 2014
Book Reviews
I started reading Pam Cook’s study of Nicole Kidman at the same time that I started listening to the new David Bowie album. The song, “The Stars (Are out Tonight)”, with its arch and scathing portrait of remote...

The Psychology of Seeing and the Cinema of Roman Polanski by Davide Caputo

Tessa Chudy
November 2012
Book Reviews
The films of Roman Polanski make a provocative and challenging body of work, but one which is also difficult to separate from the almost melodramatic details of Polanski’s own life. It is also difficult to alig...

Film Noir: Hard-Boiled Modernity and the Cultures of Globalization by Jennifer Fay and Justus Neiland

Tessa Chudy
March 2011
Book Reviews
The fabulous and fascinatingly contested thing that is film noir is not only alive and kicking, it appears to be undergoing something of a re-evaluation in critical thought. Gone is the stubborn insistence that...

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