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    • Myth, Environment and Ideology in the German Jungle of Aguirre, the Wrath of God

      Tara Lomax
      July 2012
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
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      Dirk de Bruyn
      January 2023
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      Tara Lomax
      January 2022
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
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      Toby Wu
      January 2023
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      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      Hamed Sarrafi
      January 2023
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      Tara Lomax
      March 2011
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Tara Lomax
      January 2022
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Jeremy Carr
      May 2022
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      May 2022
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      In New York - A Report on the New Directors/New Films Festival

      Tara Lomax
      June 2001
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      Leonardo Goi
      January 2023
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      Marc Raymond
      January 2023
    • A Report on the Exhibition Threshold (works by Dirk de Bruyn, Guy Grabowsky & Mat Hughes)

      Glenn D'Cruz
      January 2023
    • Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival

      Kohei Usuda
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
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    • Cities in Transition: The Moving Image and the Modern Metropolis edited by Andrew Webber and Emma Wilson

      Tara Lomax
      September 2009
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
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    • West of Zanzibar

      Tara Lomax
      July 2010
      CTEQ Annotations on Film
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    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
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Author Tara Lomax

Tara Lomax

Tara Lomax is an author and scholar with expertise in blockbuster franchising, multiplatform storytelling, and contemporary Hollywood entertainment. She has a PhD in screen studies from The University of Melbourne and her work can be found in publications that include the journals Senses of Cinema and Quarterly Review of Film and Video, and the book collections Starring Tom Cruise (Wayne State UP, 2021), The Supervillain Reader (UP Mississippi, 2020), The Superhero Symbol: Media, Culture & Politics (Rutgers UP, 2020), The Palgrave Handbook of Screen Production (Palgrave, 2019), and Star Wars and the History of Transmedia Storytelling (Amsterdam UP, 2017). She is currently Senior Higher Education Curriculum Writer and a guest lecturer at the Australian College of the Arts (Collarts) in Melbourne.

“A long time ago….”: The Persistence and Longevity of ‘Star Wars’ at 45

Tara Lomax
October 2022
Feature Articles
This article was peer reviewed This year Star Wars (George Lucas, 1977) commemorated its 45th anniversary. This anniversary recognises the passage of time since its theatrical premiere at Grauman’s Chinese The...

The Franchise Era: Blockbuster Hollywood in the 2010s…and Beyond

Tara Lomax
October 2019
This is what defined cinema in the 2010s
It is July 2019 and Avengers: Endgame (Joe and Anthony Russo, 2019) – a flagship release in the Marvel Cinematic Universe (MCU) franchise – has just surpassed Avatar (James Cameron, 2009) as the highest-grossin...

“Too Busy Building a World to Tell a Story”: Between World-Building and Storytelling in the Cleverman Storyworld

Tara Lomax
December 2018
Cleverman and Australian Superheroes
The notion of storyworlds – that is, “worlds provoked by narratives” – is not new to storytelling or narratology; even so, transmedia storytelling and media convergence have enabled more ways of understanding t...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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