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      Carrying the Fire: Paternal Relationships in the Films of Viggo Mortensen

      Stuart Richards
      December 2016
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      Max Bowens & Candice Strongwater
      July 2026
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      Pritish Das
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      Leonard Schwartz
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      Stuart Richards
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      Stuart Richards
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      July 2026
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      Scott Robinson
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      Stuart Richards
      July 2004
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      Gregory Bennett
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      Darragh O’Donoghue
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Author Stuart Richards

Stuart Richards

Stuart Richards is a Senior Lecturer in Screen Studies at the University of South Australia and co-curator of the inaugural Adelaide Queer Film Festival. He is the author of The Queer Film Festival: Popcorn & Politics (2016) and Agatha Christie & Gothic Horror (2024); Associate Director of the Creative People Products and Places Research Centre; and Co-curator of the Adelaide Queer Film Festival. He reviews films for ABC SA North and West and occasionally Triple R’s Primal Screen.

Secretly Watching “Secretly”

Stuart Richards
November 2025
My Formative Queers: Stories of the Music Videos that Made Us Queer
This article has been peer reviewed Picture it: Glenroy, 1999. You’re a 13-year-old boy watching rage late on a Saturday night in your bedroom. You’re lying under the covers with the sound at a level that wo...

Leaning into the Challenge: Interview with Scattered co-creators Logan Mucha and Kate Darrigan

Stuart Richards
January 2022
Interviews
Social media platforms have long been avenues for filmmakers to experiment with form and story. YouTube, Vimeo and Snapchat have had varying amounts of original content from filmmakers. For many, TikTok is a ne...

Queer and Australian Features at the 2020 Adelaide Film Festival

Stuart Richards
January 2021
Festival Reports
Held primarily at Palace Nova in the CBD’s Eastend, the Adelaide Film Festival was one of only a few festivals in Australia that were able to hold in-cinema events in 2020. The festival took extra precautions t...

And Then We Danced: Queer sounds and movement

Stuart Richards
April 2020
Feature Articles
And Then We Danced had its premiere in Georgia on 8th December 2019. I got to first experience this tender film at the Melbourne International Film Festival earlier in August. Due to the queer themes explored, ...
John Waters

Divine Dog Shit: John Waters and Disruptive Queer Humour in Film (Issue 80, September 2016)

Stuart Richards
October 2019
Highlights from 20 years of Senses of Cinema
Originally published in Senses of Cinema issue 80, September 2016. John Waters is an icon of queer cinema, known for his use of grossness and bad taste. However, it is not grotesqueness alone that makes quee...

The 2018 Mezipatra Queer Film Festival: An Adventure Beyond Reality into a Queer Liminal Space

Stuart Richards
March 2019
Festival Reports
Themes of liminality run through the Mezipatra Queer Film Festival in Prague. The event is held in November each year, as Europe slowly turns to the coldness of winter. Once, when I stated that Prague was in Ea...
John Waters

Divine Dog Shit: John Waters and Disruptive Queer Humour in Film

Stuart Richards
September 2016
American Extreme
John Waters is an icon of queer cinema, known for his use of grossness and bad taste. However, it is not grotesqueness alone that makes queer film akin to Waters’ work; his humour is distinctly politically di...

The Festival Where First Feature Directors Reigned: the 38th Frameline San Francisco International LGBT Film Festival

Stuart Richards
October 2014
Festival Reports
Audiences attending the Frameline San Francisco International LGBT Film Festival earlier this year for San Francisco Pride month were, as always, vocal in their love of queer cinema. The quality of LGBT films c...

A Soul Nourishing Pilgrimage: The 35th Frameline San Francisco International LGBT Film Festival

Stuart Richards
October 2011
Festival Reports
Frameline is a film festival that is flourishing alongside the dramatic changes in queer and LGBT identity politics. The larger, more prominent screenings occur in the Castro neighbourhood, which is famed for b...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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